Live Performances by Yes in 1989
Yes - ABWH: Full Concert at Shoreline Amphitheatre
Shoreline Amphitheatre
Mountain View, CA, United States
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In the live recording "An Evening of Yes Music Plus" from January 1, 1989, Yes was in an intriguing phase of their career. This performance came short... Read Full Description >
In the live recording "An Evening of Yes Music Plus" from January 1, 1989, Yes was in an intriguing phase of their career. This performance came shortly after the release of their album "Big Generator" in 1987, a time when Yes was evolving their sound toward a more polished, radio-friendly rock aesthetic. The band had recently been through major lineup changes, welcoming members like Trevor Rabin and Tony Kaye, which infused fresh energy into their live shows. What’s fascinating is how this period redefined their artistry, mixing classic Prog elements with a more accessible style. During the performance, audiences experienced a blend of hits like "Owner of a Lonely Heart" alongside new interpretations of classic tracks, highlighting the band's dynamic range. Plus, the presence of Rick Wakeman adds a layer of nostalgia, showcasing the band's roots while venturing into new musical directions. It’s a vibrant snapshot of Yes, capturing the interplay of classic and modern within their growth story. Wouldn't it be great to hear how that mix resonated with fans of both eras?
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In January 1989, Yes had just released the album "Union," a fascinating blend of styles brought about by the band's diverse lineup, which included bot... Read Full Description >
In January 1989, Yes had just released the album "Union," a fascinating blend of styles brought about by the band's diverse lineup, which included both classic members like Jon Anderson and Steve Howe as well as others who had shaped their sound over the years. This era was significant as it marked the reformation of the band after a rough patch in the late '80s; they were really aiming to capture the magic that had initially defined them. The Munich concert featured not only the unforgettable “Starship Trooper,” but also highlighted the band's resilience and the chemistry that arose from their bold collaboration. It’s interesting to note that their live performances during this time reflected a mix of nostalgia and experimentation, showcasing their iconic progressive rock roots while also venturing into new territory. With a sound as intricate as their history, you could feel the electricity in the air, making every note a testament to their enduring legacy.
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Ah, the iconic band Yes! In early 1989, they were riding a fascinating wave of musical evolution, performing as Anderson Bruford Wakeman Howe (ABWH). ... Read Full Description >
Ah, the iconic band Yes! In early 1989, they were riding a fascinating wave of musical evolution, performing as Anderson Bruford Wakeman Howe (ABWH). This live recording of "Roundabout" in Munich captures the essence of their artistic transformation. Just a year earlier, in 1988, they had released the self-titled album "Anderson Bruford Wakeman Howe," showcasing the talents of founding members who had carved their legacies in the previous iterations of the band. This album marked a reunion after years of relative separation, so you can imagine the electrifying energy at their performances. The Munich concert is a testament to this reformed lineup's chemistry, blending the classical influences with progressive rock that Yes is celebrated for. Plus, it’s interesting to note that this period saw them experimenting with both their sound and the concept of collaborative artistry, breathing fresh life into beloved classics like "Roundabout." This live performance certainly stands as a moment of rediscovery and rebirth for the group.
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Ah, the world of Yes—a veritable musical journey! Right there in 1989, with the live recording of “Anderson Bruford Wakeman Howe,” the band was ... Read Full Description >
Ah, the world of Yes—a veritable musical journey! Right there in 1989, with the live recording of “Anderson Bruford Wakeman Howe,” the band was in quite an intriguing phase. Just prior to this, Yes released "Big Generator" in 1987, which marked a notable moment as they were leaning into a more pop-rock sound, a bit of a shift from their earlier progressive roots. However, by 1989, Jon Anderson and other former members were exploring a return to more intricate musical styles with ABWH, an endeavor that gave fans a taste of their classic sound blended with new influences. One fun tidbit? The tensions that led Anderson to leave Yes, due to feeling creatively stifled, really shaped the music landscape of the time. The live performance captured an essence of nostalgia but also a sense of rebirth as they sought fresh artistry while still holding onto their legendary past. How cool is that? This mix of history and evolution is what continues to captivate Yes fans even today!
ABWH - Close to the Edge Live Performance at Shoreline Amphitheatre Full Concert
Shoreline Amphitheatre
Mountain View, CA, United States
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In the summer of 1989, Yes was in somewhat of a transition phase, marking a unique period in their storied career. Just prior to this live recording a... Read Full Description >
In the summer of 1989, Yes was in somewhat of a transition phase, marking a unique period in their storied career. Just prior to this live recording at Shoreline Amphitheatre, the band released the album "Big Generator" in 1987, which demonstrated their continued evolution while exploring a more polished sound. By the time of this iconic performance, Yes had shifted around members and was operating under the name "Anderson Bruford Wakeman Howe," often referred to as ABWH, which allowed them to reconnect with their progressive rock roots. This configuration melded the talents of key Yes members and offered fresh interpretations of classic tracks, including "Close to the Edge," which was delivered in spectacular form during this live set. The venue itself—known for its acoustics and vibrant atmosphere—added to the magic of the evening. Yes's ability to adapt and surprise audiences, even decades into their career, speaks volumes about their enduring legacy in the world of music.
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In July 1989, when Yes performed live in Memphis, they were riding the wave of their album "Big Generator," released just the year before. This album ... Read Full Description >
In July 1989, when Yes performed live in Memphis, they were riding the wave of their album "Big Generator," released just the year before. This album marked a shift towards more commercial sounds, integrating pop elements while still retaining the complex arrangements for which the band is known. Interestingly, this live recording, featuring "Assault Phase 2," happened during a time of transition for Yes—both musically and personally, as they regrouped after a period of lineup changes that had seen different members come and go. The energy captured in Memphis is electrifying, showcasing not only their musicianship but also the passionate fanbase that had stood by them through thick and thin. It’s a fascinating snapshot of a band that was unapologetically evolving, trying to balance their progressive roots with the demands of a changing music landscape. Have you ever experienced a band reinventing itself on stage?
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In July 1989, when Yes performed "Let's Pretend" in Memphis, the band was in a unique transitional phase. Just prior to this recording, they had relea... Read Full Description >
In July 1989, when Yes performed "Let's Pretend" in Memphis, the band was in a unique transitional phase. Just prior to this recording, they had released "Union," an album that marked a monumental reunion of various members from different eras of the band. Released in 1991, "Union" brought together classic Yes members, like Jon Anderson, Rick Wakeman, and Trevor Rabin, resulting in a rich blend of their distinct musical styles. The Memphis performance is significant since it showcased their ability to energize a live audience amid evolving lineups and styles. What’s fascinating is that this concert captures Yes at a moment when they were experimenting with their sound while trying to cater to both long-time fans and a new generation. Their live performances during this era were characterized by dynamic arrangements and an infectious enthusiasm, proving that even in the face of change, their music held a captivating, timeless quality.
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Back in July of 1989, when Yes took the stage in Memphis, they were riding the wave of their album "Big Generator," which was released just the previo... Read Full Description >
Back in July of 1989, when Yes took the stage in Memphis, they were riding the wave of their album "Big Generator," which was released just the previous year. This period marked a fascinating intersection for the band. "Big Generator" showcased a slightly more polished sound, still rooted in their progressive rock roots but with a nod to the more radio-friendly vibe that was gaining traction at the time. Intriguingly, just prior to this live recording, Yes had experienced significant lineup changes, with Trevor Rabin firmly stepping into the spotlight as the band’s new sound architect. The Memphis concert captures the energy and evolving dynamics of Yes during this transitional phase, where they blended classic tracks with fresher material. It’s fascinating to witness how they balanced legacy and innovation—an ever-present tension for bands navigating changes in both artistry and audience expectations. The live performance of "Quartet" on that summer night echoes the band’s commitment to continuing their exploration of sound, all while engaging a devoted fanbase anticipating what was next.
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In the summer of 1989, Yes was riding a wave of revival with their album "Union," which had just been released earlier that year. This album was signi... Read Full Description >
In the summer of 1989, Yes was riding a wave of revival with their album "Union," which had just been released earlier that year. This album was significant, marking a reunion of the band's classic lineup, alongside members from the band Anderson Bruford Wakeman Howe (ABWH). The performance recorded in Harrisburg captures a unique moment where former and current members united on stage, showcasing the intricate musicality and layered harmonies that Yes is famous for. It’s fascinating to note that this collaboration wasn’t just a nostalgic nod; it brought a fresh energy to their sound, blending various stylistic elements. The song "The Meeting" performed during this concert reflects the transitional period the band was navigating—embracing new directions while celebrating their rich history. Fans were treated to an exhilarating display of musicianship, demonstrating why Yes has persevered as a cornerstone of progressive rock. It’s moments like these that remind us why live performances can create magic!
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In August 1989, when Yes performed “Themes” in Harrisburg, they were navigating a transformative period in their career. This live recording came ... Read Full Description >
In August 1989, when Yes performed “Themes” in Harrisburg, they were navigating a transformative period in their career. This live recording came just after the release of their album "Union," which had dropped earlier that same year. "Union" was notable because it marked a reunion of several key members, blending the classic Yes lineup with members of their offshoot band, Asia. It was a significant moment for fans, as it brought together contrasting musical styles and ideas. The dynamic energy captured in the Harrisburg concert reflects this reunion’s excitement, showcasing the band's seamless ability to merge complex compositions with a vibrant live atmosphere. Interestingly, during this era, Yes was redefining their sound while reminding audiences of the intricate, symphonic elements that made them legends in the progressive rock scene. This period was not just a concert; it was a celebration of musical synergy and an exploration of new artistic horizons.
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In August 1989, when Yes performed in Harrisburg, Pennsylvania, they were riding high on the legacy of their previous studio album, "Big Generator," w... Read Full Description >
In August 1989, when Yes performed in Harrisburg, Pennsylvania, they were riding high on the legacy of their previous studio album, "Big Generator," which came out in 1987. This album, while somewhat polarizing among fans, showcased the band’s continued evolution in sound, blending their progressive rock roots with more contemporary pop elements. Notably, this live performance also marked a significant moment for the band as it involved members from the spin-off group, Anderson Bruford Wakeman Howe (ABWH), coming together for a unique jam. It was a time when Yes was embracing a more collaborative spirit, reflecting the dynamics of their lineup changes over the years. The “Encore Jam” itself is an interesting mix of improvised sections and signature Yes melodies, demonstrating their ability to connect with audiences in a spontaneous and energetic way. And who wouldn’t love that blend of precision and improvisation? It's what keeps fans coming back for more!
Yes/ABWH Live in Harrisburg - Performance of 'And You And I'
Harrisburg, PA, United States
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In the summer of 1989, when Yes performed "And You and I" during their live concert in Harrisburg, they were in a period of transformation and creativ... Read Full Description >
In the summer of 1989, when Yes performed "And You and I" during their live concert in Harrisburg, they were in a period of transformation and creativity. Just prior to this recording, the band had released the studio album "Big Generator" in 1987, which showcased a more polished and commercial sound compared to their earlier, more complex prog-rock roots. Interestingly, this transitional phase also saw the band’s lineup evolving, with members like Trevor Rabin steering their musical direction towards a more accessible rock appeal. Fans of Yes would notice that "And You and I" is a nod to their earlier, iconic work from the album "Close to the Edge," reminding audiences of the band's rich history even amidst change. As they performed live, the blend of nostalgia and contemporary flair must've struck a chord with the audience, immortalizing a moment where classic and modern Yes intertwined beautifully.
Anderson Bruford Wakeman Howe - Full Concert at Orange County Fair Speedway
Orange County Fair Speedway
Middletown, NY, United States
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In the late '80s, Yes, in its various incarnations, was navigating a vivid, albeit tumultuous phase of its career. By August 9, 1989, the band had jus... Read Full Description >
In the late '80s, Yes, in its various incarnations, was navigating a vivid, albeit tumultuous phase of its career. By August 9, 1989, the band had just released the album "Anderson Bruford Wakeman Howe" (ABWH) earlier that year. This album marked a significant reunion of pivotal members—Jon Anderson, Rick Wakeman, Steve Howe, and Bill Bruford—who had returned to create music reflecting the essence of classic Yes. The live performance at the Orange County Fair Speedway aptly showcased their experimental sounds and intricate arrangements, featuring beloved tracks like "Close to the Edge" and "I've Seen All Good People." Interestingly, this era also saw Yes engaging with newer technologies and musical styles, positioning themselves at the crossroads of progressive rock's past glory and emerging trends. This concert wasn't just another gig; it symbolized the band's push to redefine itself while embracing its storied legacy and resonating deeply with long-time fans.
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In October 1989, Yes was in a dynamic phase of their career, performing live as part of the lineup that included members from the band Anderson Brufor... Read Full Description >
In October 1989, Yes was in a dynamic phase of their career, performing live as part of the lineup that included members from the band Anderson Bruford Wakeman Howe (ABWH). Just prior to this recording, they released the self-titled album "Yes" in 1987, marking a significant reunion for many classic members after a few years of personnel changes. Interestingly, "The Meeting," performed in London, encapsulates that transitional period for the band, illustrating both their efforts to redefine their sound while still paying homage to their progressive roots. This concert was a key moment, showcasing the blend of musicianship and experimentation that fans had come to love. The London crowd's enthusiasm heightened the atmosphere, making it a memorable showcase not just for Yes but for the entire progressive rock scene of that era—where nostalgia mingled with innovation. Isn’t it fascinating how music can evoke not just memories, but a whole era?
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In 1989, Yes was navigating a pivotal moment in their career, particularly intertwined with the live performance captured in the video “Yes/ABWH Liv... Read Full Description >
In 1989, Yes was navigating a pivotal moment in their career, particularly intertwined with the live performance captured in the video “Yes/ABWH Live: 10/29/89 - London - Jon Anderson Solo Spot.” Just prior to this concert, they had released the album "Big Generator" in 1987, which was notable for its more mainstream sound, paving the way for a significant evolution in their musical approach. This live recording, part of the union between Yes and their offshoot group, Anderson Bruford Wakeman Howe (ABWH), highlights the band’s dedication to blending complex arrangements with more accessible melodies—a hallmark of their work. Interestingly, Jon Anderson’s solo spot during this performance showcases his ethereal vocal style, indeed a hallmark of the band’s identity, while also reflecting on the audience's nostalgic ties to classic Yes material. This era was marked by both experimentation and longing for the band’s early progressive rock roots, capturing the duality that made Yes both intriguing and enduring.
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Let’s dive into the magic of Yes during a pivotal moment in their career! In 1989, when they performed "And You And I" live in London, the band was ... Read Full Description >
Let’s dive into the magic of Yes during a pivotal moment in their career! In 1989, when they performed "And You And I" live in London, the band was experiencing a unique phase. Just prior to this recording, they had released "Big Generator" in 1987, which showcased a shift in their sound and was met with mixed reviews. By the time of this October performance, Yes had also seen a significant lineup change, with former members from the group’s original days coming together as the Asia-Bruford-Wakeman-Hackett (ABWH) collective. This collaboration allowed for a fresh, yet nostalgic take on their classic material, blending the complexity of progressive rock with a more accessible sound. It's fascinating how this live recording captured not just the song’s nuanced beauty but also the band's ongoing evolution, offering a bridge between their classic roots and a new artistic direction. Quite the thrilling moment in Yes history, wouldn’t you agree?
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In the late ’80s, Yes found themselves navigating a pivotal phase in their storied career. Shortly after the release of their album *Big Generator* ... Read Full Description >
In the late ’80s, Yes found themselves navigating a pivotal phase in their storied career. Shortly after the release of their album *Big Generator* in 1987, which was notable for its polished sounds and hits like "Rhythm of Love," the band ventured into a significant collaboration with the Anderson Bruford Wakeman Howe (ABWH) project. The live recording from October 29, 1989, captures ABWH performing in London, showcasing a blend of talent and creativity that was vital during this transitional period. Interestingly, this line-up emphasized a more progressive rock approach, drawing from the rich tapestry of the band’s legacy while attempting to recapture the intricate musicality that defined their earlier works. This performance not only highlighted fan-favorites but reinforced the group's lasting influence, illustrating that even during moments of change, their commitment to artistry remained unwavering. It was a time of reflection and innovation as Yes continued to evolve.
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In late October 1989, Yes was riding a wave of resurgence, intertwined with the evolution of their sound and lineup. Just prior to the London performa... Read Full Description >
In late October 1989, Yes was riding a wave of resurgence, intertwined with the evolution of their sound and lineup. Just prior to the London performance featured in the "Encore Jam 2," the band had released "Big Generator" in 1987, which was notable for its polished production and a more radio-friendly approach. The concert showcased a creative blend of classic Yes themes and new material, as it was part of the ongoing collaboration with their offshoot band, Asia. It was an exciting time, not just because they were mixing eras, but also due to the unique energy brought about by the lineup changes. Fans were treated to a dynamic performance, blending the progressive rock roots that built their legacy with fresh experimentation. This moment served as a reminder of Yes’s ability to adapt while retaining that quintessential spirit that makes their music timeless. Isn’t it fascinating how live recordings can capture that ethereal connection between artists and their audience?
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In the live recording from October 29, 1989, Yes was riding the waves of a transitional period. Just before this performance, they had released "Big G... Read Full Description >
In the live recording from October 29, 1989, Yes was riding the waves of a transitional period. Just before this performance, they had released "Big Generator" (1987), an album that marked their attempt to evolve their sound amidst the shifting musical landscape of the late '80s. "Big Generator" showcased a blend of progressive rock and more radio-friendly tracks, a reflection of the band's struggle to remain relevant. Remarkably, this concert was during the era when the band was sharing the stage with ABWH (Anderson Bruford Wakeman Howe), featuring members from the classic lineup. It was a fascinating collaboration, combining old and new fans, and their rendition of "Roundabout" captured the essence of Yes: intricate musicianship and soaring vocals. This performance, then, was not just a concert but a significant moment in their history, symbolizing their adaptability and enduring legacy in the rock world.
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In October 1989, when Yes performed "Soon" in London, they were stepping into an intriguing phase of their career, a time marked by significant transi... Read Full Description >
In October 1989, when Yes performed "Soon" in London, they were stepping into an intriguing phase of their career, a time marked by significant transition and collaboration. Just before this live recording, they released the album *Big Generator* in 1987—a project that showcased a shift towards a more polished, mainstream sound, appealing to a wider audience. However, by this point in 1989, Yes had also seen the formation of the supergroup Asia in their circles, and some members, like Geoff Downes and John Wetton, were involved in various other projects, including the one-off band Asia featuring members from Yes. Interestingly, this performance was part of a tour that blended the classic progressive rock style with new influences, pushing the boundaries of their sound while maintaining their iconic complexity. The song "Soon," which is rich in emotional depth, reflects a more introspective turn for the band, embodying the growth and evolution that Yes was undertaking during that era. This specific concert captures a pivotal moment—a blend of nostalgia and innovation that has kept fans engaged for decades. What a fascinating time to be a Yes fan!
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In November 1989, when Yes took the stage in Munich, they were riding the wave of their album "Big Generator," which had been released the previous ye... Read Full Description >
In November 1989, when Yes took the stage in Munich, they were riding the wave of their album "Big Generator," which had been released the previous year. This era marked a significant transition for the band. After the expansive, intricate sounds of their earlier work, "Big Generator" shifted towards a more polished, radio-friendly approach, reflecting the changing musical landscape of the late '80s. What's particularly fascinating is that this concert showcased the band’s ability to blend their classic progressive rock roots with newer influences, employing synthesizers and updated arrangements that were very much in tune with the times. Plus, this period was marked by a lineup featuring long-time members like Jon Anderson and Chris Squire, drawing in fans both old and new. It's a reminder of how live performances can capture the essence of an artist's evolution, bridging generations through shared musical experiences.
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In November 1989, Yes took the stage in Munich, showcasing a blend of nostalgia and innovation during a pivotal time for the band. This performance fo... Read Full Description >
In November 1989, Yes took the stage in Munich, showcasing a blend of nostalgia and innovation during a pivotal time for the band. This performance followed the release of their album *Union*, which had brought together members from various eras, including Jon Anderson, Steve Howe, and Rick Wakeman, creating a unique lineup. The concert featured a performance of “Close to the Edge,” a track that remains iconic in their catalog, emphasizing their progressive rock roots. Interestingly, this concert was part of a brief reunion of sorts, as members Bill Bruford and Rick Wakeman, who were not part of the recent *Union* sessions, joined for this tour, reflecting a moment of both celebration and collaboration. This concert was more than just a spectacle; it represented a convergence of different musical epochs within Yes, highlighting their enduring legacy and adaptability in an ever-evolving industry. Wouldn’t you agree that live shows like this encapsulate music's power to connect generations?
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In November 1989, Yes, performing under the name Anderson Bruford Wakeman Howe (ABWH), was in a unique phase of its career. Before this live recording... Read Full Description >
In November 1989, Yes, performing under the name Anderson Bruford Wakeman Howe (ABWH), was in a unique phase of its career. Before this live recording in Munich, the band had just put out the album *Anderson Bruford Wakeman Howe* earlier that same year. This album marked a significant return to the band's progressive rock roots, blending intricate compositions and symphonic elements that fans had longed for since the classic Yes lineup. Interestingly, this concert featured iconic members Jon Anderson and Rick Wakeman who had both contributed heavily to Yes's signature sound. It’s noteworthy that during this era, the band was exploring a newfound camaraderie after years of lineup changes and tension within the band. The Munich show encapsulated this revival, serving not just as a celebration of their past but also as a bold statement of their artistic rebirth. With tracks like "And You and I," they reveled in their legacy while embracing the evolution of their sound, creating a magical experience for fans in attendance.
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Ah, Yes—the legendary progressive rock band that has captivated listeners for decades! By November 1989, the group was in a fascinating transitional... Read Full Description >
Ah, Yes—the legendary progressive rock band that has captivated listeners for decades! By November 1989, the group was in a fascinating transitional phase. This particular live recording of "Birthright" from a concert in Munich features members of the band’s lineup during their ABWH (Anderson Bruford Wakeman Howe) period. Just prior to this show, they released their self-titled album "Anderson Bruford Wakeman Howe" in 1989, marking a reunion of key Yes members after a split in the '80s that left fans buzzing. An interesting tidbit about this era is the fresh musical direction the band embarked upon. They were creatively re-energized and brought back some classic elements of their sound while exploring new territory. This concert showcased their ability to blend lush melodies and intricate instrumentation—a hallmark of their live performances. Can you just picture the electric atmosphere in München as fans reveled in the nostalgia of pieces that had shaped the landscape of progressive rock? It must’ve been something magical!
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Ah, 1989—what a pivotal year for Yes! Just before their Munich concert on November 13, the innovative band had released "Union," their album that ma... Read Full Description >
Ah, 1989—what a pivotal year for Yes! Just before their Munich concert on November 13, the innovative band had released "Union," their album that marked a significant reunion of various members from different eras. It was a blend of their classic lineup influences fused with newer sounds, creating a rich tapestry of progressive rock. This era and the ABWH (Anderson Bruford Wakeman Howe) lineup showcased not just classic tunes but a deep commitment to creativity. Now, what's super intriguing is that at this concert, "Brother of Mine," from the "Anderson Bruford Wakeman Howe" album, was prominently featured. This piece highlighted the band's evolving sound and the emotional depth they became known for while incorporating lush melodies and intricate arrangements. It's a great example of how the band continuously pushed the boundaries of rock music, all while delivering captivating live performances that left fans craving more. Who could forget that electric atmosphere in Munich? It was truly a moment in rock history!
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Ah, Yes! By the time of the Munich concert on November 13, 1989, the band was navigating some exciting waters. This performance falls into a fascinati... Read Full Description >
Ah, Yes! By the time of the Munich concert on November 13, 1989, the band was navigating some exciting waters. This performance falls into a fascinating chapter of their journey, as it was during the period when they were operating as Anderson Bruford Wakeman Howe (ABWH). Just a year prior, in 1988, they released their self-titled debut album, marking a reunion of these iconic members after a hiatus and the tumultuous 1980s. This album featured tracks like "Hold Out Your Hand," showcasing that mystical blend of rock and orchestration Yes is beloved for. What’s intriguing about this Munich show is how it reflected the band's experimental spirit. They weren't just revisiting past hits; they introduced new material, hinting at an organic evolution of their sound. With the powerhouse lineup of Jon Anderson, Bill Bruford, Rick Wakeman, and Steve Howe, this concert became a vivid celebration of their complex musical heritage, resonating deeply with fans yearning for that classic Yes atmosphere. It's amazing to see how even in different configurations, their music retained its captivating essence!
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In the wake of the live recording from Frankfurt on November 16, 1989, Yes was in a transformative phase of their career. By this time, they had just ... Read Full Description >
In the wake of the live recording from Frankfurt on November 16, 1989, Yes was in a transformative phase of their career. By this time, they had just released the album **"Union,"** which dropped a year earlier in 1991. This record was somewhat a creative crossroads, bringing together members from various Yes lineups, including both the classic and more recent incarnations. The live performance in Frankfurt highlights the band's commitment to delivering powerful symphonic rock, showcasing tracks from across their diverse catalog. What's particularly fascinating is that during this period, the band was navigating the challenges of reuniting various factions of Yes, which sparked both excitement and tension within the fanbase. The energy at the concert reflects this dynamic, as they embraced their musical legacy while trying to find a cohesive direction. It’s a moment where past and present intertwined on stage, delivering nostalgia while forging ahead.
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