Live Performances by Traffic
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In April 1970, Traffic performed a live concert at the Paris Theatre in London, shortly after the release of their album "John Barleycorn Must Die," w... Read Full Description >
In April 1970, Traffic performed a live concert at the Paris Theatre in London, shortly after the release of their album "John Barleycorn Must Die," which came out in May of the same year. This performance marked a pivotal moment in the band's evolution, as they had recently regrouped after a brief hiatus and the departure of guitarist Dave Mason in 1968, who was a key contributor to their early sound. The live recording showcased the band's blend of rock, jazz, and blues, featuring musicians Jim Capaldi, Chris Wood, and Steve Winwood executing their signature style. Interestingly, this period saw the band embracing a more collaborative approach, with Winwood taking on a leading role in the direction of their sound. The concert was also notable for being broadcast by the BBC, enhancing its significance in Traffic's legacy and bringing their innovative music to a wider audience.
Traffic - Live Performance at Crosley Field, Cincinnati, Ohio (1970)
Crosley Field
Cincinnati, OH, United States
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In June 1970, when Traffic performed at Crosley Field in Cincinnati, they had recently released their third studio album, "John Barleycorn Must Die," ... Read Full Description >
In June 1970, when Traffic performed at Crosley Field in Cincinnati, they had recently released their third studio album, "John Barleycorn Must Die," which came out in July of that year. This album marked a significant progression for the band, showcasing their blend of rock, jazz, and folk influences, and is often celebrated as a high point in their career. The live recording captures a pivotal moment as Traffic was transitioning from their earlier psychedelic roots to a more mature sound, characterized by the incorporation of jazz elements and a greater emphasis on the collaborative songwriting of Steve Winwood, Jim Capaldi, and Chris Wood. The Midsummer Rock festival, where this recording was made, not only featured Traffic but also a lineup of notable artists, highlighting the band's growing prominence in the late 1960s and early 1970s rock scene.
Traffic - Full Concert: Complete Fillmore West Performance
Fillmore West
San Francisco, CA, USA
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In July 1970, Traffic was deep into their transformation as a band, as showcased by their live recording at the Fillmore West. Prior to this concert, ... Read Full Description >
In July 1970, Traffic was deep into their transformation as a band, as showcased by their live recording at the Fillmore West. Prior to this concert, they released "John Barleycorn Must Die," an album that marked a significant evolution in their sound, integrating more jazz and rock elements. This album, released in 1970, was pivotal in cementing their status in the progressive rock genre. The Fillmore West concert highlights the band's improvisational skills and features tracks from their recent work, including "Medicated Goo" and "Who Knows What Tomorrow May Bring." Traffic's lineup during this period included the notable presence of Steve Winwood, whose vocals and multi-instrumental abilities were crucial. This performance also reflects their peak period of creativity and collaboration, signifying a moment where their live performances became just as influential as their studio recordings, capturing the raw energy and experimentation that defined their sound.
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Traffic was at a pivotal point in their career during the live recording at Santa Monica on November 30, 1971. Prior to this performance, the band rel... Read Full Description >
Traffic was at a pivotal point in their career during the live recording at Santa Monica on November 30, 1971. Prior to this performance, the band released their landmark album "John Barleycorn Must Die" earlier that year, which showcased a blend of rock, jazz, and pop elements and solidified their standing in the progressive rock scene. The Santa Monica concert captured the band at a time of creative evolution, as they were transitioning with the addition of new elements to their sound. Interestingly, this period followed the departure of key member Dave Mason, who had left in 1970, prompting the remaining members to experiment with their musical identity. This live performance is particularly notable as it reflects Traffic's improvisational strengths and their ability to engage audiences with extended instrumental sections and rich, textured arrangements. The concert ultimately highlights the band's influence and experimental ethos during this dynamic time in their history.
Traffic - Live Performance of 'Dear Mr. Fantasy' at Santa Monica Civic Auditorium
Santa Monica Civic Auditorium
Santa Monica, CA, United States
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Traffic's live performance of "Dear Mr. Fantasy" at the Santa Monica Civic Auditorium on November 30, 1971, came during a pivotal time in their career... Read Full Description >
Traffic's live performance of "Dear Mr. Fantasy" at the Santa Monica Civic Auditorium on November 30, 1971, came during a pivotal time in their career. The band had released their studio album "The Low Spark of High Heeled Boys" just weeks earlier, on November 8, 1971. This album marked a significant phase in Traffic's evolution, showcasing their blend of rock, jazz, and folk influences, and was notably well-received, becoming one of their most recognized works. Interestingly, "Dear Mr. Fantasy," originally featured on their 1967 debut album, played a crucial role in establishing their identity and continues to be one of their signature songs. By the time of this live recording, Traffic was solidifying their reputation for exceptional musicianship and their ability to craft extended, improvisational performances, a hallmark of their concert experiences that thrilled fans and critics alike.
Traffic - Full Concert Live in Santa Monica 1972 (Remastered)
Santa Monica, CA, United States
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Traffic was at a significant turning point in their career around the time of the live recording in Santa Monica on November 30, 1971. Prior to this c... Read Full Description >
Traffic was at a significant turning point in their career around the time of the live recording in Santa Monica on November 30, 1971. Prior to this concert, the band released the album "John Barleycorn Must Die" in July 1970, which marked a shift toward a more cohesive sound, blending elements of rock and jazz. Following the Santa Monica concert, they went on to produce "The Low Spark of High Heeled Boys," released in November 1971, which would become one of their most acclaimed works. The live concert showcases the band's improvisational prowess and unique blend of styles, reflecting not only their musical evolution but also the enthusiastic reception of their multi-genre approach. Interestingly, the performance captured in this concert highlights the chemistry between band members during a dynamic period, as they navigated both internal changes and the burgeoning popularity of their music.
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In January 1972, Traffic was in a transitional phase in their career, having recently released their studio album "The Low Spark of High Heeled Boys" ... Read Full Description >
In January 1972, Traffic was in a transitional phase in their career, having recently released their studio album "The Low Spark of High Heeled Boys" just before the live performance captured in the video. This album, which debuted in November 1971, marked a significant artistic achievement for the band, showcasing their unique blend of rock, jazz, and folk influences. The title track became one of Traffic's most enduring songs and highlights the band's innovative approach to songwriting and instrumentation during this era. By 1972, Traffic had solidified their reputation for memorable live performances, often featuring extended improvisations, which can be heard in the superb audio quality of the live recording. Notably, this period also reflected the band’s complex dynamics, with Winwood's prominent vocal and keyboard contributions steering their musical direction amid a backdrop of personnel changes.
Traffic Live Performance of 'John Barleycorn Must Die' at Santa Monica Civic Auditorium
Santa Monica Civic Auditorium
Santa Monica, CA, United States
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In January 1972, shortly after the release of their album "John Barleycorn Must Die," Traffic performed live at the Santa Monica Civic Auditorium. Thi... Read Full Description >
In January 1972, shortly after the release of their album "John Barleycorn Must Die," Traffic performed live at the Santa Monica Civic Auditorium. This album marked a significant moment in the band's evolution, as it was their first album after reuniting following a hiatus. Featuring a blend of rock, jazz, and folk influences, "John Barleycorn Must Die" was well-received and showcased their mature sound, with the title track becoming a fan favorite. The live recording captures this pivotal period in Traffic's career, emphasizing their strength as a live band and their ability to translate studio complexity to the stage. Notably, this concert also reflects the band's adventurous spirit, highlighting their improvisational skills and musicianship, which were foundational to their identity as a group that transcended conventional rock boundaries.
Traffic Performs '40,000 Headmen' Live at Santa Monica Civic Auditorium
Santa Monica Civic Auditorium
Santa Monica, CA, United States
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In early 1972, Traffic was at a pivotal point in their career, following the release of their album "John Barleycorn Must Die" in 1970, which marked a... Read Full Description >
In early 1972, Traffic was at a pivotal point in their career, following the release of their album "John Barleycorn Must Die" in 1970, which marked a significant shift towards a more ensemble sound incorporating jazz and rock elements. By the time of the live recording of "40,000 Headmen" at the Santa Monica Civic Auditorium, the band was evolving their musical style and solidifying their reputation for dynamic live performances. This concert was part of their tour promoting "The Low Spark of High Heeled Boys," which would be released later in 1971. An interesting fact about Traffic during this period is the involvement of multiple key members, including Steve Winwood, who played a crucial role in crafting their unique sound. The live setting emphasized their improvisational skills, capturing the essence of their synergy as a band during a time of significant artistic growth.
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In January 1972, Traffic was in a dynamic phase of their career, having released their acclaimed album "The Low Spark of High-Heeled Boys" just months... Read Full Description >
In January 1972, Traffic was in a dynamic phase of their career, having released their acclaimed album "The Low Spark of High-Heeled Boys" just months prior in November 1971. This period marked a significant evolution in the band's sound, characterized by their blend of rock, jazz, and rhythm and blues. The live recording of "Rainmaker" at the Santa Monica Civic Auditorium demonstrates the band's ability to deliver powerful performances, showcasing their improvisational skills and unique musicality. Notably, the song "Rainmaker" was a staple of their live repertoire and exemplified the band's lyrical depth and complex arrangements. The live performance captured in this recording exemplifies Traffic’s willingness to experiment and redefine their musical boundaries during their height of creativity in the early 1970s, solidifying their status as one of the pioneering bands of the era.
Traffic Live Performance of 'Dear Mr Fantasy' from Santa Monica Concert
Santa Monica, CA, United States
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In January 1972, Traffic was in a pivotal phase of their career, having just released their critically acclaimed album "John Barleycorn Must Die" in 1... Read Full Description >
In January 1972, Traffic was in a pivotal phase of their career, having just released their critically acclaimed album "John Barleycorn Must Die" in 1970. This album marked a significant transition for the band, as it featured a more ensemble-oriented sound compared to their earlier work, blending rock, jazz, and folk influences. The live performance captured in the video "Traffic - Dear Mr. Fantasy" showcases the band in Santa Monica, a testament to their evolving stage presence and musical exploration. By this time, Traffic had solidified their lineup, prominently featuring Steve Winwood, Jim Capaldi, and Chris Wood, who together crafted a rich sound that resonated with both fans and critics. Notably, "Dear Mr. Fantasy" is one of their signature songs, embodying the band's penchant for lyrical depth and improvisational flair, which is vividly illustrated in their live performances during this dynamic period.
Traffic - Live Performance of 'Glad' and 'Freedom Rider' from 1972 Concert
The Santa Monica Civic Auditorium
Santa Monica, CA, United States
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In February 1972, when Traffic performed at the Santa Monica Civic Auditorium, they were riding high on the success of their album "John Barleycorn Mu... Read Full Description >
In February 1972, when Traffic performed at the Santa Monica Civic Auditorium, they were riding high on the success of their album "John Barleycorn Must Die," which had been released in July 1970. This album marked a significant turning point in the band's career as it was their first project after the departure of founding member Steve Winwood. The live recording features the tracks "Glad" and "Freedom Rider," showcasing the band's blend of rock, jazz, and folk influences that characterized their sound. Notably, this period saw traffic solidifying their lineup with members such as Jim Capaldi and Chris Wood. Just prior to the Santa Monica concert, the New Musical Express reported on personnel changes within the band, including the departures of Jim Gordon and Ric Grech, signaling a transformative time in their history. The live performance captured the essence of Traffic's evolving artistry during this dynamic phase of their career.
Traffic Concert: 'Light Up or Leave Me Alone' at Santa Monica Civic Center
Civic Center
Santa Monica, CA, USA
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On February 21, 1972, Traffic performed a live concert at the Civic Center in Santa Monica, California, capturing a pivotal moment in their career. Le... Read Full Description >
On February 21, 1972, Traffic performed a live concert at the Civic Center in Santa Monica, California, capturing a pivotal moment in their career. Leading up to this recording, the band had released their acclaimed album "The Low Spark of High Heeled Boys" in late 1971, which marked a significant shift toward more intricate compositions and a fusion of rock and jazz elements. The live performance of "Light Up or Leave Me Alone," a track from this album, showcases the band’s evolving sound and their improvisational skills, highlighting their status as an influential act in the early '70s music scene. Notably, this concert is one of the few filmed live performances of the group from that era, providing fans with a rare glimpse into their dynamic stage presence and the chemistry among band members, including Steve Winwood's virtuosic keyboard work and the unique arrangements characteristic of Traffic's style.
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In January 1973, Traffic was experiencing a renaissance in their career, having recently released the album "Shoot Out at the Fantasy Factory" in 1973... Read Full Description >
In January 1973, Traffic was experiencing a renaissance in their career, having recently released the album "Shoot Out at the Fantasy Factory" in 1973, shortly after the live recording featured in the video. This album marked a shift in their sound, reflecting more of a jazz-rock influence while retaining elements of their psychedelic roots. The performance of “Roamin' Thro' the Gloamin with 40,000 Headmen” showcases the band's improvisational prowess, a hallmark of their live sessions. Notably, this period saw the band reuniting after a brief hiatus, with a line-up that prominently included Steve Winwood, whose versatility on vocals and multiple instruments played a significant role in the band's eclectic sound. The live recording captures Traffic at a pivotal moment, blending their foundational style with new directions in their music.
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In 1973, the live recording of "Shoot Out at the Factory" captures Traffic during a dynamic phase of their evolution as a band. This performance occur... Read Full Description >
In 1973, the live recording of "Shoot Out at the Factory" captures Traffic during a dynamic phase of their evolution as a band. This performance occurred roughly a year after the release of their critically acclaimed album "The Low Spark of High Heeled Boys" in November 1971. The live recording highlights Traffic's impressive ability to merge rock with jazz and progressive elements, a hallmark of their sound. Notably, the band's lineup during this period featured Steve Winwood, who was pivotal in shaping their musical identity with his vocals and multi-instrumental prowess. The early ‘70s marked a time of both challenge and creativity for Traffic, as they navigated line-up changes and personal conflicts, yet they continued to produce influential music that left a lasting impact on the rock genre. This live performance not only showcases their musicianship but also reflects the culmination of their experimental spirit during this vibrant era.
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In January 1973, Traffic was in a pivotal transitional phase in their career, having solidified their reputation as innovative rock artists since thei... Read Full Description >
In January 1973, Traffic was in a pivotal transitional phase in their career, having solidified their reputation as innovative rock artists since their formation in 1967. Prior to the live recording of "(Sometimes I Feel So) Uninspired," the band had released the album "The Low Spark of High Heeled Boys" in late 1971, which featured their signature blend of rock, jazz, and psychedelic influences. This album marked a significant turning point, showcasing more complex songwriting and arrangements, and it achieved considerable commercial success. The live performance seen in the 1973 recording highlights Steve Winwood's dynamic vocal delivery and musicianship, which were central to Traffic's appeal. It's also notable that this period saw a shift in the band, as internal dynamics evolved and lead to varying lineup changes, influencing their subsequent albums and sound. The recording reflects the band's ability to create an engaging live experience, further cementing their legacy in rock hi
![View [Sometimes I Feel So] Uninspired (Live In Germany / 1973)](https://i.ytimg.com/vi/oThcyc4wumM/mqdefault.jpg)
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In January 1973, Traffic was in a transformative phase as they released the live recording "[Sometimes I Feel So] Uninspired," which captures a perfor... Read Full Description >
In January 1973, Traffic was in a transformative phase as they released the live recording "[Sometimes I Feel So] Uninspired," which captures a performance in Germany. Prior to this, the band had released their fifth studio album, "The Low Spark of High Heeled Boys," in 1971, which gained significant acclaim and helped solidify their presence in the rock genre. The live performance showcases the band's unique blend of rock, jazz, and blues, highlighting their improvisational skills and musical chemistry. At this time, Traffic was experiencing a resurgence in creativity, with members such as Steve Winwood, Jim Capaldi, and Chris Wood exemplifying their artistic evolution. This period was characterized by a rich exploration of sound, ultimately leading to their next studio album, "Shoot Out at the Fantasy Factory," released later in 1973, establishing their continued influence and versatility within the music landscape.
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In January 1973, Traffic was in a pivotal phase of its career, particularly noted for its evolving sound and lineup. Before this live recording, the b... Read Full Description >
In January 1973, Traffic was in a pivotal phase of its career, particularly noted for its evolving sound and lineup. Before this live recording, the band had released the album "The Low Spark of High Heeled Boys" in 1971, which marked a significant shift towards a more improvisational and jam-based style—something that is evident in the live recording titled "Jammin'." Following this recording, Traffic would release "When the Eagle Flies" in 1974, an album that showcased their experimental tendencies and featured a blend of rock, jazz, and funk influences. The performance captures the synergy between founding member Steve Winwood and the group's unique instrumentation, emphasizing their commitment to spontaneity and musical exploration. This period was critical in establishing Traffic's legacy as a pioneering force in rock music, capable of evolving while maintaining their signature sound.
Traffic - The Low Spark Of High-Heeled Boys Live Performance from The Last Great Traffic Jam
The Last Great Traffic Jam
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In January 1994, Traffic performed live at "The Last Great Traffic Jam," showcasing their iconic track "The Low Spark of High-Heeled Boys," a hallmark... Read Full Description >
In January 1994, Traffic performed live at "The Last Great Traffic Jam," showcasing their iconic track "The Low Spark of High-Heeled Boys," a hallmark of their earlier work released in 1971. This performance came during a celebrated reunion period for the band, which reunited several times after their original disbandment in 1974. The live version exemplifies the band's signature blend of rock, jazz, and blues influences, and the song itself is notable for its extended improvisational passages. Interestingly, "The Low Spark of High-Heeled Boys" was a pivotal album in Traffic's discography, helping to establish their prominence in the early '70s music scene. At the time of this live recording, Traffic was reflecting on their past while celebrating their enduring impact, contextualizing their music within a legacy that spanned several decades. This moment highlights the band's lasting appeal and the nostalgic celebration of their influential sound.
Traffic - Full Concert at Woodstock 94 featuring Pearly Queen and more
Woodstock 94
Saugerties, NY, US
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By the time Traffic performed at Woodstock ’94, the band had experienced a significant evolution in their career. Their previous album, "Far from Ho... Read Full Description >
By the time Traffic performed at Woodstock ’94, the band had experienced a significant evolution in their career. Their previous album, "Far from Home," was released in 1994, marking a reunion of the original lineup after a hiatus. This period saw Traffic re-establishing itself in the music scene, blending rock, jazz, and blues influences while addressing contemporary themes. The performance at this iconic festival not only showcased their musical prowess but also highlighted the resurgence of legacy artists during the 1990s, as many classic rock bands gained newfound appreciation amongst younger audiences. Notably, the set at Woodstock included fan favorites like "Pearly Queen" and "Medicated Goo," demonstrating their ability to connect both with long-time followers and newer fans present at the outdoor festival. This live recording captures the spirit of the era, reflecting Traffic's continuing creativity and adaptability within the evolving music landscape.
Traffic Live Performance of 'Gimme Some Lovin' at Woodstock 94
Woodstock 94
Saugerties, NY, United States
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During the live performance at Woodstock 94 on August 14, 1994, Traffic was experiencing a resurgence in their career. This performance occurred short... Read Full Description >
During the live performance at Woodstock 94 on August 14, 1994, Traffic was experiencing a resurgence in their career. This performance occurred shortly after the band reunited in 1994, marking their return after an 18-year hiatus since their disbandment in 1974. Prior to this reunion, their last studio album was "When the Eagle Flies," released in 1974. The band performed a selection of their classic hits, including "Gimme Some Lovin'," showcasing their blend of rock, blues, and jazz influences that had characterized their earlier work. This live recording served not only to reintroduce Traffic to a new generation of fans but also highlighted the enduring appeal of their music. Notably, Steve Winwood, a key member and founder, remains celebrated for his exceptional musicianship and distinctive voice, which played a significant role in Traffic's sound and legacy.
Traffic Performs 'Dear Mr. Fantasy' Live at Woodstock 94
Woodstock 94
Saugerties, NY, United States
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By August 14, 1994, when Traffic performed at Woodstock 94, the band was experiencing a significant resurgence after reuniting in the early 1990s, fol... Read Full Description >
By August 14, 1994, when Traffic performed at Woodstock 94, the band was experiencing a significant resurgence after reuniting in the early 1990s, following a lengthy hiatus since their original split in 1974. This performance came shortly after the release of their album "Far From Home," which debuted in 1994 and marked their first studio album in over two decades. Notably, the live rendition of "Dear Mr. Fantasy" highlights the band's classic sound while showcasing Steve Winwood's distinctive vocals and virtuosity on multiple instruments, reflecting the band's roots in the late 1960s and early 1970s. The 1994 Woodstock festival itself was pivotal, reviving the spirit of the original 1969 festival, and Traffic's participation introduced their timeless music to a new generation, rekindling interest in their earlier work and solidifying their legacy in rock history.
Traffic Performs 'Glad' and 'Freedom Rider' at Woodstock 94
Woodstock 94
Saugerties, NY, United States
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In August 1994, Traffic performed at Woodstock '94, marking a significant moment in their career as they reunited for this iconic music festival. Prio... Read Full Description >
In August 1994, Traffic performed at Woodstock '94, marking a significant moment in their career as they reunited for this iconic music festival. Prior to this live recording, the band had released their album "The Last Great Traffic Jam" in 1994, which was a collection of live performances and previously unreleased material. This album was noteworthy as it showcased the band's enduring influence and allowed them to reconnect with both old fans and a new generation. During the Woodstock performance, the tracks "Glad" and "Freedom Rider" emphasized Traffic's signature blend of rock, jazz, and psychedelic influences, exemplified by Steve Winwood's exceptional musicianship. Interestingly, this appearance at Woodstock was part of a late-career revival for the band, highlighting their legacy in the late '90s and their ongoing relevance in the rock genre.
Traffic Performs 'The Low Spark Of High Heeled Boys' Live at Woodstock 94
Woodstock 94
Saugerties, NY, United States
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In August 1994, Traffic performed at Woodstock 94, showcasing their enduring appeal in a festival setting that celebrated the legacy of the original W... Read Full Description >
In August 1994, Traffic performed at Woodstock 94, showcasing their enduring appeal in a festival setting that celebrated the legacy of the original Woodstock. At this point in their career, Traffic had reformed after a hiatus, releasing the album "Far from Home" in 1994, which was their first studio album in over two decades. This live performance of "The Low Spark of High Heeled Boys" highlighted the band's signature blend of rock and jazz elements, and showcased the talents of founding member Steve Winwood, who contributed vocals and guitar. The concert came during a period marked by a nostalgic revival of classic rock, and Traffic's participation in such a landmark event underscored their continued influence on the genre. Interestingly, the band initially gained fame in the late 1960s and early 1970s, making their return to a festival that is synonymous with their formative years particularly significant.
Traffic - 'Light Up Or Leave Me Alone' Live at Woodstock 94
Woodstock 94
Saugerties, NY, United States
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By August 1994, Traffic had reformed after disbanding in the early 1970s and released their album "The Last Great Traffic Jam" in 1994, which was a li... Read Full Description >
By August 1994, Traffic had reformed after disbanding in the early 1970s and released their album "The Last Great Traffic Jam" in 1994, which was a live album capturing their return to the stage. The performance at Woodstock '94 marked a significant moment in their career, showcasing their enduring appeal and willingness to connect with both old fans and new audiences. Notably, the band had undergone various lineup changes over the years, but the Woodstock performance featured core members including Steve Winwood, who contributed vocals and guitar. This event highlighted their classic sound and continued relevance in the music scene, as Traffic blended rock, jazz, and pop, a testament to their innovative style. The live recording not only reflects their iconic status but also serves as a celebration of their legacy in the rock genre, resonating with the spirit of the original Woodstock festival held in 1969.
Traffic and Dave Mason Perform 'Feelin Alright' at the Rock and Roll Hall of Fame
Rock and Roll Hall of Fame
Cleveland, OH, United States
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In November 2003, Traffic's foundational members, including Steve Winwood and Jim Capaldi, reunited for a performance at the Rock and Roll Hall of Fam... Read Full Description >
In November 2003, Traffic's foundational members, including Steve Winwood and Jim Capaldi, reunited for a performance at the Rock and Roll Hall of Fame during the band's induction ceremony in 2004. Prior to this event, Traffic had not released a studio album since "Far from Home" in 1994, which was their last official studio work before this reunion. The live performance is particularly significant as it showcased the band's lasting impact on rock music and the chemistry between its key members, including guitarist Dave Mason. Their reunion marked a poignant moment in music history, reflecting the enduring legacy of Traffic's innovative sound, which combined rock, jazz, and psychedelia. The presence of influential artists such as Kid Rock and Keith Richards at the induction highlights the band's ongoing recognition and importance within the rock genre, emphasizing their long-standing contribution to popular music.
Traffic Live Performance at the Rock and Roll Hall of Fame Inductions
Rock and Roll Hall of Fame
Cleveland, OH, United States
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In 2004, Traffic was inducted into the Rock and Roll Hall of Fame, marking a pivotal moment in their legacy as a band known for their eclectic blend o... Read Full Description >
In 2004, Traffic was inducted into the Rock and Roll Hall of Fame, marking a pivotal moment in their legacy as a band known for their eclectic blend of rock, jazz, and psychedelic influences. This induction came after a notable hiatus, as the band had reformed in 1994 and released their last studio album, "Far from Home," in 1994. A significant highlight of their performances during this time was the reunion of key members, including Steve Winwood and Jim Capaldi, which had not occurred for many years prior to the induction. The live performance at the Hall of Fame featured classic tracks that showcased the band's unique sound and the collaborative spirit that defined their music. This ceremony also reaffirmed their influence on a generation of musicians and listeners, celebrating their contributions to the rock genre and solidifying their status in music history.
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Traffic, the British rock band known for their blend of rock, jazz, and psychedelia, was active during the late 1960s and early 1970s. The band releas... Read Full Description >
Traffic, the British rock band known for their blend of rock, jazz, and psychedelia, was active during the late 1960s and early 1970s. The band released several influential albums in that era, including "John Barleycorn Must Die," which came out in 1970 shortly before their live recordings. This album marked a significant turning point for the group as it combined their earlier sound with a more mature approach, featuring elements of improvisation and a focus on instrumentation. During the timeframe of the live recording referenced, Traffic was undergoing changes in their lineup and musical style, often experimenting with different genres and sounds, which contributed to their dynamic performances. The band was known for their powerful live performances, highlighting the synergy among its members. Interestingly, the band’s collective ability to merge rock with jazz influences is reminiscent of the improvisational style showcased in Ruel's live performance, where the blend of vocal an
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Traffic, the British rock band formed in 1967, was known for its unique blend of rock, jazz, and folk influences. The live recording in question comes... Read Full Description >
Traffic, the British rock band formed in 1967, was known for its unique blend of rock, jazz, and folk influences. The live recording in question comes during a significant phase in their career. Before the live performance, they released their landmark album "John Barleycorn Must Die" in 1970, which showcased the band's evolving sound and featured their experimental approach to music. The album received critical acclaim and is often regarded as one of their best works, reinforcing their status in the progressive rock scene. The timing of the live recording can be placed in the early 1970s when the band was gaining popularity and further developing their improvisational skills in live settings. Notably, Traffic was also part of the evolution of rock music into more complex forms, embracing extended jams and intricate musicianship, which would have been evident in their live performances during this period.
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Stereophonics' performance of "Traffic" at Dakota is a live recording from their album "Live From Dakota," released shortly after their sixth studio a... Read Full Description >
Stereophonics' performance of "Traffic" at Dakota is a live recording from their album "Live From Dakota," released shortly after their sixth studio album, "Pull The Pin," in 2007. During this period, the band was solidifying their popularity in the UK rock scene, following the success of their previous albums, notably "Language. Sex. Violence. Other?" from 2005. The live performance showcases Stereophonics’ signature mix of rock and emotional storytelling, traits that have garnered them a loyal fanbase. Notably, the title "Traffic" pays homage to the legendary British rock band of the same name, further enriching the song's context with a legacy of musical exploration. The choice to title the track "Traffic" reflects the band's ability to draw inspiration from a wide array of influences and their respect for musical history, which is apparent in their engaging live performances.
City of Murfreesboro Traffic Cameras Live Stream - 8 Seconds
Murfreesboro, TN, United States
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Traffic, a British rock band formed in 1967, reached a significant point in their career around the time of the referenced live recording in Copenhage... Read Full Description >
Traffic, a British rock band formed in 1967, reached a significant point in their career around the time of the referenced live recording in Copenhagen. Notably, just prior to this event, they released the album "John Barleycorn Must Die" in 1970, which marked their transition towards a more jazz-influenced sound. This album is often celebrated for its rich instrumentation and mature songwriting, showcasing the band’s evolution. By this time, Traffic had already experienced lineup changes and various musical explorations, including the incorporation of multiple genres like rock, blues, and psychedelia. The live performance captured in the video reflects the band's progressive journey and their ability to connect with audiences, demonstrating their instrumental prowess and improvisational skills that defined their sound during this pivotal period in music history.
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In the live recording "Dear Mr. Fantasy" from 1994, Traffic had recently reunited after a long hiatus and was celebrating their legacy with a new albu... Read Full Description >
In the live recording "Dear Mr. Fantasy" from 1994, Traffic had recently reunited after a long hiatus and was celebrating their legacy with a new album titled "Far from Home," released in 1994. This marked a significant moment in the band's career, as it was their first studio album in over 25 years, showcasing their return to form. During this time, Traffic included a mix of classic material and new songs, allowing them to reconnect with both old fans and a new audience. The collaboration with Jerry Garcia in the performance highlights the band's influence in the music community and their ability to bridge different musical genres, reflecting the fluid and collaborative spirit of the era. Their live performances, such as the one captured in this video, often emphasized the musicianship and improvisational style that Traffic was known for in their earlier years.
Live Traffic Camera at Friant and Shepherd Intersection in Fresno, CA
Fresno, California, United States
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Traffic, the pioneering British rock band, had a dynamic career characterized by frequent lineup changes and genre-blending sounds. Before the live pe... Read Full Description >
Traffic, the pioneering British rock band, had a dynamic career characterized by frequent lineup changes and genre-blending sounds. Before the live performance captured in the referenced video, the band had released their seminal album "John Barleycorn Must Die" in 1970. This album marked a significant transition for Traffic, as it combined rock, jazz, and folk elements, showcasing their experimental edge. The live recordings stemming from this period often captured the band's improvisational prowess, a hallmark of Traffic's live performances. An interesting fact about Traffic is that they were known for their shifting membership, with Steve Winwood frequently serving as the creative force behind the group. Their energetic and eclectic performances resonate through various live recordings, allowing fans to experience the band's unique sound evolution during a particularly fruitful phase in their career.
Traffic Live Volleyball Burlington Concert - Full Concert
Traffic Live Volleyball
Burlington
Popular Tracks
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Terrible Accident | Car Hits Auto | Live Accidents in India | Tirupati Traffic Police
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Traffic - The Low Spark Of High Heeled Boys - 8/14/1994 - Woodstock 94 (Official)
Woodstock 94 August 14, 1994 -
Traffic - Dear Mr Fantasy
January 1, 1972 -
HOW TO GET FREE OEM LIVE TRAFFIC UPDATES FOR VOLKSWAGEN, AUDI, SKODA, SEAT
Date Unknown -
Traffic - Full Concert - 08/14/94 - Woodstock 94 (OFFICIAL)
Woodstock 94 August 14, 1994 -
Traffic - Dear Mr Fantasy - Live - 1972
Santa Monica Civic Auditorium November 30, 1971 -
Traffic & Jerry Garcia Mr Dear Fantasy
Date Unknown -
TRAFFIC LIVE AT SANTA MONICA 72
November 30, 1971 -
Traffic - Light Up or Leave Me Alone
Civic Center February 21, 1972 -
Traffic - Gimme Some Lovin' - 8/14/1994 - Woodstock 94 (Official)
Woodstock 94 August 14, 1994