Paul Simon

Paul Simon performs 'You Can Call Me Al' live from The Concert in Hyde Park

Hyde Park
London, United Kingdom

• In July 1991, during the performance at Hyde Park, Paul Simon was riding high on the success of his album "Graceland," released in 1986. This landmark... Read Full Description >

  In July 1991, during the performance at Hyde Park, Paul Simon was riding high on the success of his album "Graceland," released in 1986. This landmark record not only marked a significant point in his solo career but also introduced world music influences to his pop and rock sound, featuring collaborations with South African musicians. "You Can Call Me Al," one of the standout tracks from that album, showcases his lyrical wit and catchy melodies. The Hyde Park concert was part of a larger promotional effort for his album "The Rhythm of the Saints," released in 1990, which continued to explore global sounds and artistic experimentation. Simon's participation in this concert highlights his enduring appeal and the cultural bridge he created between diverse musical traditions, making it a significant moment in his long and storied career.

Paul Simon - Late in the Evening from The Concert in Hyde Park

Hyde Park
London, United Kingdom

• In July 1991, Paul Simon was touring in support of his album "The Rhythm of the Saints," which had been released in 1990. This album marked a shift in... Read Full Description >

  In July 1991, Paul Simon was touring in support of his album "The Rhythm of the Saints," which had been released in 1990. This album marked a shift in Simon's musical direction, incorporating more world music influences, particularly from Brazilian music, reflecting his collaboration with prominent Brazilian musicians. The live performance at Hyde Park, featured in the recording of "Late in the Evening," showcased Simon's ability to blend different musical styles and highlight his lyrical storytelling. Notably, the concert attracted a large audience, emphasizing Simon's enduring popularity and influence as a solo artist, following his successful career as one half of the iconic duo Simon & Garfunkel. The event is also significant as it was part of a larger comeback for Simon, reaffirming his status in the music industry during the early '90s.

Paul Simon Performs 'The Obvious Child' Live at Hyde Park Concert

London

• In July 1991, during the live recording of "The Obvious Child" at The Concert in Hyde Park, Paul Simon had recently released his album "The Rhythm of ... Read Full Description >

  In July 1991, during the live recording of "The Obvious Child" at The Concert in Hyde Park, Paul Simon had recently released his album "The Rhythm of the Saints," which came out in 1990. This album was significant as it showcased Simon's continued exploration of world music influences, particularly Brazilian rhythms and melodies. The performance in Hyde Park highlighted not only his enduring popularity as a solo artist after his earlier success with Simon & Garfunkel but also his ability to blend various musical styles. The concert was part of a larger tour, reflecting a resurgence in Simon's mainstream appeal during a period when he was often celebrated for his lyrical storytelling and musical innovation. Interestingly, "The Obvious Child" serves as a bridge between his past and present, incorporating both reflective themes and rhythmic vitality, which resonated well with audiences, reinforcing his status as a leading figure in contemporary music.

Paul Simon Performs 'Me and Julio Down By The Schoolyard' at Hyde Park Concert

London

• The live performance of "Me and Julio Down by the Schoolyard" from "The Concert in Hyde Park" on July 15, 1991, occurred during a pivotal period in Pa... Read Full Description >

  The live performance of "Me and Julio Down by the Schoolyard" from "The Concert in Hyde Park" on July 15, 1991, occurred during a pivotal period in Paul Simon's career. Prior to this concert, Simon had released the album "The Rhythm of the Saints" in 1990, which showcased his continued exploration of world music influences and further established his post-Simon & Garfunkel solo identity. The Hyde Park concert was notable as it marked a significant return to live performances, drawing a large crowd and solidifying his status as a major performer in the music industry. This performance came after several years away from touring, highlighting Simon's enduring appeal and the strength of his catalog. Additionally, "Me and Julio Down by the Schoolyard," originally from his 1972 album "Paul Simon," became an iconic song representative of his storytelling style and ability to blend folk, rock, and world music elements. The concert not only revitalized interest in his earlier work but also demo

Paul Simon - 'Slip Slidin' Away' Live Performance from The Concert in Hyde Park

Hyde Park
London, United Kingdom

• In July 1991, Paul Simon performed “Slip Slidin' Away” during a notable live concert at Hyde Park in London, which showcased his remarkable stage ... Read Full Description >

  In July 1991, Paul Simon performed “Slip Slidin' Away” during a notable live concert at Hyde Park in London, which showcased his remarkable stage presence and connection with audiences. This performance came shortly after the release of his album "The Rhythm of the Saints" in 1990, which marked a significant exploration of world music influences and cemented his reputation as an innovative solo artist following his success with Simon & Garfunkel. The live recording captures a moment in Simon's career when he was actively engaged in blending different musical styles and reflecting on themes of nostalgia and loss—central to "Slip Slidin' Away." Furthermore, the Hyde Park concert was part of a larger tour, highlighting Simon's enduring popularity and influence, as well as his ability to attract large crowds even years after his initial breakthrough in the 1960s.

Paul Simon - 'Late In The Evening' Live Performance from Central Park

Central Park
New York, NY, United States

• By 1991, Paul Simon was enjoying a resurgence in his career following the release of his album "The Rhythm of the Saints" in 1990. This album showcase... Read Full Description >

  By 1991, Paul Simon was enjoying a resurgence in his career following the release of his album "The Rhythm of the Saints" in 1990. This album showcased Simon's continued exploration of world music influences and marked a significant evolution in his sound. The live recording of "Late in the Evening" from Central Park on August 15, 1991, captures Simon at a vibrant point in his solo career, highlighting his successful return to the stage after a hiatus from large-scale performances. This concert drew an audience of over 750,000 people, making it one of the largest free concerts in history, demonstrating his enduring popularity. Additionally, "Late in the Evening," a song from his earlier work on the album "One-Trick Pony" (1980), showcases his remarkable ability to blend personal storytelling with complex musical arrangements, a hallmark of Simon's artistry throughout his career.

Paul Simon - Still Crazy After All These Years Live at Central Park

Central Park
New York, NY, United States

• In August 1991, during the iconic Central Park concert, Paul Simon had just released his album "The Rhythm of the Saints" in 1990. This album marked a... Read Full Description >

  In August 1991, during the iconic Central Park concert, Paul Simon had just released his album "The Rhythm of the Saints" in 1990. This album marked a significant point in his career as it featured a shift towards worldbeat influences, particularly drawing from Afro-Brazilian rhythms. The concert itself was notable not just for the music but also for the sheer scale, attracting over 750,000 attendees, making it one of the largest concerts in history. “Still Crazy After All These Years,” which he performed, was originally from his 1975 album of the same name, showcasing Simon's enduring appeal and the timeless quality of his songwriting. The Central Park performance also underscored Simon's ability to connect with audiences on a personal level, reflecting both his evolution as an artist and the continued relevance of his music.