Live Performances by King Crimson in 1982
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In January 1982, King Crimson was in the midst of an innovative phase marked by the release of their album "Discipline," which came out in September 1... Read Full Description >
In January 1982, King Crimson was in the midst of an innovative phase marked by the release of their album "Discipline," which came out in September 1981. This period was significant as it represented a resurgence for the band after a hiatus and showcased a new lineup that included prominent musicians such as Adrian Belew, Tony Levin, and Bill Bruford. The live performance captured in Munich features tracks from this pioneering album, like "Waiting Man," indicating the band's embrace of complex musical structures and polyrhythmic elements during this era. Notably, this version of King Crimson was known for blending progressive rock with new wave influences, creating a distinctive sound that was futuristic yet rooted in their experimental origins. The concert further illustrates their commitment to live improvisation and the evolution of their music, cementing their status as a foundational force in the progressive rock genre.
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In early 1982, King Crimson was on the cusp of a transformative era in their career. This live recording of "Matte Kudasai," captured during a concert... Read Full Description >
In early 1982, King Crimson was on the cusp of a transformative era in their career. This live recording of "Matte Kudasai," captured during a concert in Fréjus, France, falls within a period shortly after the release of their album "Discipline," which debuted in September 1981. This album marked a significant shift in the band's sound, introducing a more structured and rhythmically complex style, heavily influenced by new wave and post-punk elements. "Matte Kudasai," written by Adrian Belew, exemplifies the band's exploration of atmospheric and melodic textures amidst their generally intricate arrangements. Notably, this performance came during the band's first major tour in a decade, showcasing their refreshed lineup and renewed creative energy. King Crimson's ability to blend intricate musicianship with emotional depth was well represented in this performance, highlighting their ongoing evolution as a pioneering force in progressive rock.
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In early 1982, when King Crimson graced the stage in Fréjus, France, they were riding high on the wave of their album "Discipline," which had come ou... Read Full Description >
In early 1982, when King Crimson graced the stage in Fréjus, France, they were riding high on the wave of their album "Discipline," which had come out just a year prior. This album marked a significant pivot in their sound, steering towards a more refined approach, blending progressive rock with elements of new wave. Interestingly, "Discipline" also saw the addition of guitarist Adrian Belew, who brought a fresh, innovative style that revitalized the band. Their live performance in Fréjus is a testament to this new direction, showcasing a tighter, more cohesive unit that thrived on complexity and musicianship. The fusion of Belew’s unique guitar work and Robert Fripp's signature sound created an ethereal yet powerful atmosphere—an experience both exhilarating and thought-provoking, capturing the essence of what King Crimson was all about at that pivotal moment in their evolution.
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In January 1982, King Crimson delivered a captivating live performance that marked a pivotal moment in their career, showcasing the band’s evolving ... Read Full Description >
In January 1982, King Crimson delivered a captivating live performance that marked a pivotal moment in their career, showcasing the band’s evolving sound and dynamic stage presence. Just before this recording, they had released *Discipline* in 1981, an album that signified a dramatic shift in their musical direction, embracing a more structured and intricate blend of new wave and progressive rock. The 1982 live performance reflected this shift, as fans were treated to a fusion of sharp rhythms and complex melodies that became synonymous with the band’s “double trio” lineup. It’s fascinating to note how this incarnation of King Crimson infused their shows with an improvisational spirit, bridging their experimental roots with a fresh, energetic approach. This performance wasn’t just another show; it was a celebration of innovation during a time when the band was redefining itself, leading to iconic works in the years that followed.
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King Crimson's live recording of "Matte Kudasai" from January 1, 1982, captures a pivotal moment during the band's artistic evolution. This performanc... Read Full Description >
King Crimson's live recording of "Matte Kudasai" from January 1, 1982, captures a pivotal moment during the band's artistic evolution. This performance took place shortly after the release of their album "Discipline," which came out in 1981. The album marked a notable shift for the group, introducing a more polished sound characterized by intricate rhythms and a fusion of new wave elements alongside their progressive rock roots. The lineup had transformed, welcoming the unique talents of Adrian Belew on vocals and guitar, and Tony Levin on bass. This fresh-faced ensemble brought a dynamic energy that was evident in live performances, making "Discipline" a true highlight of their career. An interesting tidbit about this era is how the band embraced innovative techniques, such as the use of the "tap guitar" method, which added a distinctive texture to their music—something that is definitely heard in this live recording.
King Crimson - 'Indiscipline' Performance at Old Grey Whistle Test
Old Grey Whistle Test
London, United Kingdom, United Kingdom
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In March 1982, when King Crimson performed "Indiscipline" on the iconic BBC show *Old Grey Whistle Test*, they were riding a wave of creative resurgen... Read Full Description >
In March 1982, when King Crimson performed "Indiscipline" on the iconic BBC show *Old Grey Whistle Test*, they were riding a wave of creative resurgence. This performance occurred shortly after the release of their album *Discipline*, which came out in 1981 and marked their first studio album in over seven years. Notably, *Discipline* showcased a fresh, innovative sound that blended progressive rock with elements of new wave. This was a time when the band, under the leadership of guitarist Robert Fripp, embraced a more structured and rhythmically complex approach to their music, largely influenced by the addition of members like Adrian Belew and Tony Levin. Interestingly, "Indiscipline" highlighted Fripp's shifting songwriting style and introspective lyrics, making it a standout piece of the album. It’s fascinating to see how the energetic performance captured during the show reflects this vibrant phase in their career, where experimentation and a return to live performance revitalized their artistic journey.
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In 1982, King Crimson was in a dynamic phase of their career, marked by the release of their album "Beat," which came out later that same year. This p... Read Full Description >
In 1982, King Crimson was in a dynamic phase of their career, marked by the release of their album "Beat," which came out later that same year. This period followed the band's earlier work in the 1970s, characterized by their progressive rock roots and innovative sound. The live performance captured in "Larks’ Tongues In Aspic Part II" highlights the band's return after a hiatus and their continued evolution, showcasing their unique blend of rock, jazz, and classical influences. The 1982 tour featured a lineup that included Robert Fripp, Bill Bruford, Adrian Belew, and Tony Levin, which was integral to the band's sound during this era. Notably, they embraced a more experimental and eclectic approach at this time, as evident in the improvisational elements and rich textures of the live recording, underscoring King Crimson's reputation for pushing musical boundaries.
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In June 1982, during King Crimson's tour supporting their album "Three of a Perfect Pair," the band showcased their progressive and avant-garde sound ... Read Full Description >
In June 1982, during King Crimson's tour supporting their album "Three of a Perfect Pair," the band showcased their progressive and avant-garde sound in a live performance that included the song "Waiting Man." This period marked a unique phase in their career, characterized by a mix of intense improvisation and structured composition, where members like Adrian Belew and Robert Fripp were at the forefront of creativity. The live recording at Fréjus exemplifies the band's hybrid approach, merging rock with complex rhythmic patterns and influences from minimalist composers like Steve Reich, specifically evident in the drumming style. This era also saw King Crimson's powerful return after a hiatus, solidifying their reputation as pioneers in the evolving music landscape of the early 1980s. Notably, their innovative live performances often incorporated real-time experimentation, providing a vibrant listening experience that was both accessible and artistically ambitious.
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In June 1982, during the performance captured in "King Crimson - Neal And Jack And Me (The Noise - Live At Fréjus 1982)," King Crimson was touring in... Read Full Description >
In June 1982, during the performance captured in "King Crimson - Neal And Jack And Me (The Noise - Live At Fréjus 1982)," King Crimson was touring in support of their album "Beat," which had been released earlier that same year. The recording showcases the band’s unique blend of progressive rock and new wave influences, particularly highlighted by vocalist and guitarist Adrian Belew's distinctive style and the group's experimental nature. "Beat" is often noted for its lyrical references to the Beat Generation, which aligns with the song's title that pays homage to Neal Cassady and Jack Kerouac. This era of King Crimson marked a significant evolution in their sound and lineup, featuring a mix of established members and relative newcomers, symbolizing the band's willingness to adapt and innovate while retaining their progressive roots. The Fréjus concert exemplifies the energy and creativity of this particular phase in the band's ongoing journey.
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King Crimson was riding a dynamic wave in their career during the live recording of "Heartbeat" at Fréjus on June 23, 1982. At this point, the band h... Read Full Description >
King Crimson was riding a dynamic wave in their career during the live recording of "Heartbeat" at Fréjus on June 23, 1982. At this point, the band had recently released the album "Beat," which came out the same year. The album, often marked by its unique blend of progressive rock and pop sensibilities, showcased a slightly more accessible sound while still maintaining their experimental roots. Interestingly, as member Adrian Belew shared during the recording, "Heartbeat" was a song that posed some challenges during its development, especially in capturing its essence in the studio. This highlights the band's pursuit of perfection and their commitment to pushing creative boundaries, even as they experimented with a more straightforward rock approach. In the '80s, King Crimson was not just redefining their sound; they were also playing a crucial role in the evolving landscape of rock music, making their live performances particularly compelling during this transformative era.
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In June 1982, when King Crimson performed "The Sheltering Sky" live at Fréjus, the band was in a transitional phase marked by their album "Beat," whi... Read Full Description >
In June 1982, when King Crimson performed "The Sheltering Sky" live at Fréjus, the band was in a transitional phase marked by their album "Beat," which was released shortly afterward in 1982. This marked an interesting point in the band's career as it represented their incorporation of more accessible and pop-oriented elements while still maintaining their progressive rock roots. The lineup at the time included notable members like Adrian Belew and Tony Levin, who played pivotal roles in crafting the band's sound during this era. The live performance features complex rhythms and textured instrumentation that capture the experimental spirit of King Crimson. This period was significant as it saw the band touring extensively, revitalizing their presence in the music scene after a lengthy hiatus, and showcasing their evolving musical direction in front of enthusiastic audiences.
King Crimson - Indiscipline Performance with Drum Solo Live in Fréjus
Fréjus
Fréjus, CA, France
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Back in the summer of 1982, King Crimson was delivering their signature sound with a thrilling live performance in Fréjus, France, just as they were ... Read Full Description >
Back in the summer of 1982, King Crimson was delivering their signature sound with a thrilling live performance in Fréjus, France, just as they were hitting a creative peak during a transformative era for the band. Having released *Discipline* that same year, this album marked a significant shift, blending a unique mix of progressive rock with new wave elements. This fusion showcased the band's innovative spirit, as they navigated through complex time signatures and intricate rhythms, something that really shines in the live rendition of “Indiscipline” captured in the recording. One fascinating tidbit is that this lineup featured Adrian Belew on guitar and vocals, whose quirky, avant-garde flair added a fresh layer to their sound. Performing as the warm-up for Roxy Music, King Crimson's set not only hypnotized the crowd but also emphasized their evolving artistry that would continue to define their legacy. What a vibrant moment in their storied history!
King Crimson - 'Neal And Jack And Me' Live Performance at Fréjus
Paramount Theatre
Asbury Park, New Jersey, United States
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In the summer of 1982, when King Crimson took the stage at the Paramount Theatre in Asbury Park for the live recording of “Neal And Jack And Me,” ... Read Full Description >
In the summer of 1982, when King Crimson took the stage at the Paramount Theatre in Asbury Park for the live recording of “Neal And Jack And Me,” the band was reveling in a fresh and dynamic phase. This lineup, featuring Adrian Belew on vocals and guitar along with Tony Levin on bass, had released "Discipline" in 1981, an album that marked their return with a notable shift in sound toward a more New Wave and progressive rock fusion. “Discipline” was celebrated for its intricate polyrhythms and cerebral lyrics, which set the tone for this era. Interestingly, this concert was part of their tour supporting the album, showcasing their innovative approach and electrifying performances. This era of Crimson was all about reinvention, navigating the complexities of musical evolution while captivating audiences with their unique live interpretations—proof that they could still deliver the unexpected, even years after their initial emergence.
King Crimson - Larks’ Tongues In Aspic Part II Live Performance at Fréjus Arena
Paramount Theatre
Asbury Park, New Jersey, United States
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During the time of the live recording "Larks’ Tongues in Aspic Part II" at the Paramount Theatre in 1982, King Crimson was on the cusp of redefining... Read Full Description >
During the time of the live recording "Larks’ Tongues in Aspic Part II" at the Paramount Theatre in 1982, King Crimson was on the cusp of redefining their sound. Just before this performance, they had released the critically acclaimed album "Discipline" in 1981, which marked a significant shift from their earlier psychedelic and progressive stylings. This new era of King Crimson, led by the creative synergy of Adrian Belew and Tony Levin, embraced a more structured, almost mathematical approach to music while still preserving their experimental edge. What’s fascinating about this era is that King Crimson’s lineup in 1982 was one of their most dynamic, featuring Robert Fripp’s intricate guitar work alongside Levin’s robust bass and Belew's eclectic vocal style. It's a vibrant phase where they blended post-punk elements with their progressive roots, redefining not just their music, but also the concert experience—taking audiences on a journey through complex time signatures and vivid soundscapes, as highlighted in this live performance. It’s no wonder that fans are still captivated by the sheer innovation of King Crimson during these years.
King Crimson - Indiscipline Live Performance at Arena, Fréjus, France
Paramount Theatre
Asbury Park, New Jersey, United States
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In the summer of 1982, King Crimson was riding high on the waves of their album *Beat*, which had been released just a year prior. The *Indiscipline* ... Read Full Description >
In the summer of 1982, King Crimson was riding high on the waves of their album *Beat*, which had been released just a year prior. The *Indiscipline* live performance at the Paramount Theatre in Asbury Park showcases the band's innovative blend of progressive rock and new wave influences during a pivotal moment in their career. This incarnation of King Crimson, featuring the charismatic Adrian Belew on vocals and guitar, alongside the masterful Tony Levin on bass, represented a fresh and experimental approach, diverging from the band’s earlier psychedelic roots. Interestingly, the band was known for their dynamic improvisational style during this tour, and *Indiscipline* itself reflects that spontaneity, mixing meticulous composition with bursts of creative freedom. It’s fascinating to see how their past influences shaped their present sound while paving the way for future explorations, all on that energetic stage in '82.
King Crimson - Full Concert (The Noise - Live At Fréjus 1982)
Paramount Theatre
Asbury Park, New Jersey, United States
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In 1982, the live recording of King Crimson at the Arena in Fréjus, France, captured a pivotal moment for the band, which had reformed in 1981 with a... Read Full Description >
In 1982, the live recording of King Crimson at the Arena in Fréjus, France, captured a pivotal moment for the band, which had reformed in 1981 with a new lineup that brought a fresh dynamic. Prior to this performance, they released the album "Discipline" in 1981, marking a significant departure from their earlier work and introducing a new wave of progressive rock characterized by intricate rhythms and innovative guitar work. The blend of Adrian Belew's vocal and guitar contributions with Robert Fripp's signature sound and Tony Levin's bass created a distinctly modern sonic landscape. This era also saw King Crimson embrace a visually striking stage presence, further enhanced by the use of multimedia elements. The 1982 concert exemplifies the band's experimental approach and showcases their progressive evolution, capturing the energy and creativity of their new direction during this exciting phase of their career.
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In the summer of 1982, when King Crimson lit up the stage at the Arena in Fréjus, France, the band was riding high on the waves of their transformati... Read Full Description >
In the summer of 1982, when King Crimson lit up the stage at the Arena in Fréjus, France, the band was riding high on the waves of their transformative 1981 lineup. This version of King Crimson had just released the iconic album *Discipline* in 1981, marking a significant shift in their sound with its intricate rhythms and new wave influences. The synergy between Adrian Belew, Tony Levin, and the founding member Robert Fripp brought fresh energy and a distinctive character to the band. Interestingly, the live recording of "Waiting Man" captures not only the band’s compelling musical exploration but also highlights their ability to blend art rock with funk and avant-garde elements—something that became a hallmark of their performances in this era. It's fascinating to see how this lineup embraced a new direction while still paying homage to Crimson's complex musical roots, making performances like the one in Fréjus a captivating experience for both longtime fans and newcomers alike.
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In the summer of 1982, King Crimson was riding the wave of their reformation, and this live performance in Fréjus captured that electrifying moment p... Read Full Description >
In the summer of 1982, King Crimson was riding the wave of their reformation, and this live performance in Fréjus captured that electrifying moment perfectly. Prior to this event, they released the album "Discipline" in 1981, which not only revitalized their sound but also showcased their innovative approach to progressive rock. With Adrian Belew's distinctive voice and guitar work paired with Tony Levin's crafty bass lines, they crafted a unique blend that diverged sharply from the band's earlier works—think of it as a thrilling new chapter in a classic book. What’s fascinating is how "Heartbeat," the song they performed during this concert, reflects the band's evolution. It presents a more accessible, melodic structure compared to their earlier epics. Plus, the snippet of the ’82 tour captures the essence of the band at that pivotal time when they seamlessly combined intricate musicianship with more mainstream appeal. It's a snapshot of a band rediscovering itself—what a journey it has been!
King Crimson Live in Munich: 'Matte Kudasai' Performance
Alabamahalle
Munich, Bavaria, Germany
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In the time leading up to King Crimson’s performance of "Matte Kudasai" on September 29, 1982, the band had just released their album "Beat" earlier... Read Full Description >
In the time leading up to King Crimson’s performance of "Matte Kudasai" on September 29, 1982, the band had just released their album "Beat" earlier that same year. This record marked a fascinating phase in their career, as it showcased a blend of new wave influences alongside their signature progressive rock sound. It was a bold evolution for the band, reflecting the changing musical landscape of the early '80s. What’s especially intriguing about this performance in Munich is the lineup—Robert Fripp on guitar, Bill Bruford on drums, Tony Levin on bass, and Adrian Belew on vocals and guitar—who were all pivotal in shaping King Crimson's sound during this period. This era was characterized by innovative experimentation, and live performances like this are a prime showcase of their ability to merge intricate musicianship with emotional depth. It’s no wonder fans still cherish these moments!
King Crimson - Live Performance of 'Heartbeat' in Munich Concert
Alabamahalle
Munich, Bavaria, Germany
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In the fall of 1982, when King Crimson graced the Alabamahalle in Munich, they were riding high on the wave created by their album “Three of a Perfe... Read Full Description >
In the fall of 1982, when King Crimson graced the Alabamahalle in Munich, they were riding high on the wave created by their album “Three of a Perfect Pair,” released just a few months earlier in April of that year. This album marked a fascinating chapter in King Crimson’s history, showcasing their ability to blend progressive rock with new wave influences—a bold move that kept their sound fresh and adaptable. The performance of “Heartbeat” captured in the live recording not only highlights the band’s synergy but also reflects their exploration of themes like love and connection, which permeated the album. With members like Robert Fripp, Adrian Belew, Tony Levin, and Bill Bruford, the lineup brought together a mix of virtuosity and creativity that defined their live shows. Fun fact: this particular concert was part of a European tour that celebrated their unique blend of complex rhythms and lyrical storytelling, elements that still resonate with fans today.
King Crimson - 'Waiting Man' Live Performance from Alabamahalle, Munich
Alabamahalle
Munich, Bavaria, Germany
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In September 1982, when King Crimson performed "Waiting Man" live in Munich at the Alabamahalle, the band was riding high on the experimental wave tha... Read Full Description >
In September 1982, when King Crimson performed "Waiting Man" live in Munich at the Alabamahalle, the band was riding high on the experimental wave that defined their career. Just prior to this performance, they released the album *Beat* in 1982, which showcased their signature blend of complex rhythms and innovative soundscapes. This period marked a vibrant chapter for King Crimson, characterized by a dynamic lineup featuring members like Robert Fripp, Tony Levin, and Adrian Belew. Interestingly, this concert is a testament to the band's knack for live improvisation and interplay, turning each performance into a unique experience. Given the fusion of genres in *Beat*, audiences could feel the exhilaration of a band fully embracing the art of live interpretation, making each concert a vibrant dialogue between musicians—a hallmark of King Crimson's electric reputation.
King Crimson Full Concert - Featuring 'Waiting Man' Performance in Munich
Alabamahalle
Munich, Bavaria, Germany
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On September 29, 1982, King Crimson performed live in Munich, Germany, during a period marked by significant evolution in their musical direction. Thi... Read Full Description >
On September 29, 1982, King Crimson performed live in Munich, Germany, during a period marked by significant evolution in their musical direction. This concert falls within the era of their album "Beat," which was released earlier that same year. "Beat" showcased the band's embrace of a more accessible sound and incorporated elements of new wave and pop, reflecting the diverse musical landscape of the 1980s. The lineup featured Adrian Belew on guitar and vocals, Tony Levin on bass, and Bill Bruford on drums, highlighting the group's innovative approach to rhythm and sound. Notably, the performance of "Waiting Man" in the concert exemplifies the band's flair for intricate musicianship and dynamic stage presence. This performance also highlighted the playful interaction among band members, as illustrated by the unique setup of the Simmons drums, enhancing the visual and auditory experience of their live shows.
King Crimson - Full Concert Live in Munich, Performing Waiting Man and More
Alabamahalle
Munich, Bavaria, Germany
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In 1982, during the era of the live recording in Munich, King Crimson was in a period of significant artistic evolution, marked by their album "Beat,"... Read Full Description >
In 1982, during the era of the live recording in Munich, King Crimson was in a period of significant artistic evolution, marked by their album "Beat," which had been released earlier that year in June. "Beat" showcased a more accessible sound compared to their earlier work while still retaining the band's signature complexity. This concert reflects their "Discipline" era, characterized by intricate rhythms and polyrhythmic structures, as well as a mix of progressive rock and new wave influences. Notably, in this performance, many tracks from "Discipline" are highlighted, including "Indiscipline" and "Heartbeat," emphasizing the band's innovative approach to songwriting and their dynamic live experience. The 1982 tour was crucial for King Crimson, as it reinvigorated their standing in the progressive rock scene after a hiatus and demonstrated their ability to blend improvisation with structured compositions.
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King Crimson - Starless
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King Crimson - 21st Century Schizoid Man
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King Crimson - 21st Century Schizoid Man (Including "Mirrors")
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