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Jefferson Airplane

Live Performances by Jefferson Airplane

Jefferson Airplane Performance of 'White Rabbit' and 'Somebody to Love' on American Bandstand

American Bandstand
Los Angeles, CA, US

November 30, 1966 | Video Length: 8:21
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  • In late 1966, Jefferson Airplane was at a pivotal moment in their career, having released their groundbreaking album "Surrealistic Pillow" just days p... Read Full Description >

    In late 1966, Jefferson Airplane was at a pivotal moment in their career, having released their groundbreaking album "Surrealistic Pillow" just days prior to their appearance on "American Bandstand" on November 30, 1966. This album featured iconic tracks like "Somebody to Love" and "White Rabbit," both of which became integral to the band's identity and the psychedelic rock scene. Their live performance on "American Bandstand," which included these hits, showcased the band's innovative sound and marked their ascent to prominence in the San Francisco music scene. Notably, Grace Slick, the band's dynamic female vocalist, had joined the group just before the recording, bringing a new energy and perspective that significantly impacted their music. The exposure from this performance helped solidify Jefferson Airplane's status as pioneers of the counterculture movement and standout leaders in the psychedelic rock genre during the late 1960s.

Jefferson Airplane Performs 'Somebody To Love' on American Bandstand

American Bandstand

January 1, 1967 | Video Length: 2:58
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  • In January 1967, Jefferson Airplane performed "Somebody To Love" on the television show American Bandstand. At this point in their career, the band wa... Read Full Description >

    In January 1967, Jefferson Airplane performed "Somebody To Love" on the television show American Bandstand. At this point in their career, the band was experiencing a significant rise in popularity, following the success of their groundbreaking album "Surrealistic Pillow," released in February 1967. This album featured not only "Somebody To Love" but also "White Rabbit," both of which became iconic anthems of the 1960s counterculture. The performance on American Bandstand showcased the band at a pivotal moment as they transitioned from a San Francisco-based group to national prominence, becoming key figures in the psychedelic rock movement. An interesting fact is that "Somebody To Love" was written by Grace Slick, the band's dynamic lead vocalist, and her powerful delivery became a defining element of the group's sound during this crucial period.

Jefferson Airplane Performs 'Today' Live at Monterey International Pop Festival

Monterey International Pop Festival
Monterey, CA, United States

January 1, 1967 | Video Length: 2:13
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  • By the time Jefferson Airplane performed "Today" at the Monterey International Pop Festival in June 1967, the band was on the cusp of major success. T... Read Full Description >

    By the time Jefferson Airplane performed "Today" at the Monterey International Pop Festival in June 1967, the band was on the cusp of major success. They had recently released their second album, *Surrealistic Pillow*, in February 1967, which included hit singles like "Somebody to Love" and "White Rabbit." This album not only showcased the band's unique blend of rock and psychedelia but also solidified their status in the growing counterculture movement. The performance at the festival, one of the first major rock festivals, marked a significant moment in their career, helping to increase their visibility and popularity. Additionally, it was a pivotal time in music history, with the festival often credited for launching the careers of many iconic artists. Jefferson Airplane's engaging live performance contributed to their reputation as pioneers of the San Francisco sound, further embedding them in the cultural fabric of the 1960s.

  • In January 1967, when Jefferson Airplane performed "White Rabbit" live, they were at a pivotal moment in their career, having recently achieved signif... Read Full Description >

    In January 1967, when Jefferson Airplane performed "White Rabbit" live, they were at a pivotal moment in their career, having recently achieved significant recognition in the burgeoning San Francisco music scene. Prior to this performance, the band released their seminal album "Surrealistic Pillow" in February 1967, which would later become a landmark in psychedelic rock. "White Rabbit," along with "Somebody to Love," was one of the standout tracks from this album, showcasing their distinct sound that blended rock with surreal, thought-provoking lyrics. During this live recording, the band's dynamic stage presence and Grace Slick's haunting vocals captivated audiences, further establishing them as influential figures in the counterculture movement of the 1960s. This performance epitomized the era's exploration of consciousness and social themes, firmly placing Jefferson Airplane at the forefront of the psychedelic music revolution.

Jefferson Airplane Full Concert Live at California State University, San Luis Obispo - Featuring 'White Rabbit' and More

California State University San Luis Obispo
San Luis Obispo, CA, United States

May 19, 1967 | Video Length: 1:29:52
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  • On May 19, 1967, Jefferson Airplane performed a live concert at California State University in San Luis Obispo, California, during a pivotal time in t... Read Full Description >

    On May 19, 1967, Jefferson Airplane performed a live concert at California State University in San Luis Obispo, California, during a pivotal time in their career. This performance took place shortly after the release of their iconic album "Surrealistic Pillow," which debuted in February 1967. This album is notable for featuring classic tracks such as "Somebody to Love" and "White Rabbit," both of which were included in their live setlist. At this point, the band was gaining significant recognition and becoming a central figure in the San Francisco music scene and the broader counterculture movement of the 1960s. Their improvisational style and integration of rock with psychedelic elements were instrumental in shaping the sound of the era. The live recording captures the energy and innovation of Jefferson Airplane as they were on the cusp of becoming one of the leading bands of the time.

Jefferson Airplane - Live at Monterey Pop (Full Concert)

Monterey County Fairgrounds
Monterey, CA, United States

June 17, 1967 | Video Length: 38:00
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  • On June 17, 1967, Jefferson Airplane performed at the Monterey Pop Festival, a pivotal moment in their career. This live recording showcased their dyn... Read Full Description >

    On June 17, 1967, Jefferson Airplane performed at the Monterey Pop Festival, a pivotal moment in their career. This live recording showcased their dynamic presence and musical innovation just as they were gaining national attention. Prior to this performance, they had released their seminal album "Surrealistic Pillow" in February 1967, which included iconic tracks like "Somebody to Love" and "White Rabbit," both of which were performed at Monterey. The festival marked a significant cultural moment, highlighting the burgeoning counterculture movement and solidifying Jefferson Airplane's role as key figures in the psychedelic rock scene. Their performance not only captured the band's improvisational spirit but also illustrated their growing influence, as they transitioned from local San Francisco artists to national icons in the music world. The Monterey recording remains a defining snapshot of their early success and artistic evolution.

Jefferson Airplane Performs 'High Flying Bird' at Monterey Pop Festival

Monterey Pop Festival
Monterey, CA, United States

June 18, 1967 | Video Length: 3:54
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Jefferson Airplane Full Concert at Winterland, San Francisco

Winterland
San Francisco, California, United States

October 14, 1967 | Video Length: 1:9:53
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  • On October 14, 1967, Jefferson Airplane was at a pivotal moment in their career, having just released their influential album "Surrealistic Pillow" ea... Read Full Description >

    On October 14, 1967, Jefferson Airplane was at a pivotal moment in their career, having just released their influential album "Surrealistic Pillow" earlier that year, which featured iconic tracks like "Somebody to Love" and "White Rabbit." By the time of the Winterland concert, the band had solidified their status as a leading figure in the San Francisco psychedelic rock scene, leveraging their unique sound and political themes to captivate audiences. The live performance captured at Winterland showcases the band's dynamic stage presence and intricate musical arrangements, reflecting their maturation as artists. Notably, they were soon to release their follow-up album, "After Bathing at Baxter’s," which continued to explore experimental sounds and poetic lyricism. The concert not only highlights a significant point in their history but also underscores their role in shaping the counterculture movement of the 1960s.

Jefferson Airplane - 'House at Pooneil Corners' Live at Manhattan Rooftop Concert

Rooftop Concert
Manhattan, NY, United States

November 30, 1967 | Video Length: 7:37
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  • In early 1968, Jefferson Airplane was transitioning into a pivotal moment in their career, marked by the release of their album "Crown of Creation," w... Read Full Description >

    In early 1968, Jefferson Airplane was transitioning into a pivotal moment in their career, marked by the release of their album "Crown of Creation," which came out just a few months prior to the January 1 live performance of "Lather." This album showcased the band's unique blend of psychedelic rock and folk, and "Lather" exemplified their exploration of intricate songwriting, with Grace Slick's distinct vocals highlighting the piece. The performance captured in the video reflects the band's growing prominence in the counterculture movement of the late 1960s, following their earlier success with albums like "Surrealistic Pillow." Notably, Jefferson Airplane was among the first bands to achieve fame in the burgeoning San Francisco music scene, and their live performances, such as this one, were key in establishing their reputation as a leading force in psychedelic rock.

  • In January 1968, when the live recording referenced took place at RCA Studio, Jefferson Airplane was at a pivotal point in their career, following the... Read Full Description >

    In January 1968, when the live recording referenced took place at RCA Studio, Jefferson Airplane was at a pivotal point in their career, following the release of their groundbreaking album "Surrealistic Pillow" in 1967, which had propelled them into the spotlight of the counterculture movement. Notably, this was the period when the band was solidifying their status as a leading figure in the psychedelic rock scene. The band's unique sound, characterized by Grace Slick's haunting vocals and the dynamic guitar work of Jorma Kaukonen and Paul Kantner, helped pave the way for the era's musical evolution. During this era, they were also preparing their follow-up album, "After Bathing at Baxter's," which would further establish their experimental edge. The performance captured in the video showcases their creative synergy at a time when they were becoming increasingly influential in both music and culture.

  • In May 1968, when Jefferson Airplane performed "If You Feel Like China Breaking" live in Hamburg, they were at a significant crossroads in their caree... Read Full Description >

    In May 1968, when Jefferson Airplane performed "If You Feel Like China Breaking" live in Hamburg, they were at a significant crossroads in their career. The band had just released their iconic album "Surrealistic Pillow" in 1967, which propelled them to fame with hits like "Somebody to Love" and "White Rabbit." The live recording captures the intensity and burgeoning creativity of the band during a period marked by the height of the psychedelic rock movement. Interestingly, this performance took place near the time when they were recording their follow-up album, "Crown of Creation," which would be released later that year. The Hamburg concert highlighted not just their musical prowess but also their engagement with the zeitgeist of the late 1960s, showcasing their ability to connect with audiences amid a rapidly changing cultural scene.

Jefferson Airplane Performs 'Crown Of Creation' on The Ed Sullivan Show

The Ed Sullivan Show
New York, NY, United States

September 29, 1968 | Video Length: 2:51
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  • On September 29, 1968, Jefferson Airplane performed "Crown of Creation" on The Ed Sullivan Show, marking a significant moment in their career during a... Read Full Description >

    On September 29, 1968, Jefferson Airplane performed "Crown of Creation" on The Ed Sullivan Show, marking a significant moment in their career during a period of rapid ascent in the music industry. This performance coincided with the release of their album *Crown of Creation*, which had come out just weeks prior on September 24, 1968. The album showcased the band's distinctive blend of psychedelic rock and social commentary, solidifying their place in the counterculture movement of the 1960s. The Ed Sullivan Show appearance helped introduce the band to a broader audience and emphasized their appeal during a time when they were gaining traction both commercially and critically. Notably, the song itself reflects themes of individuality and the struggles of society, resonating with the political climate of the era.

  • In January 1969, Jefferson Airplane was experiencing a pivotal moment in their career, highlighted by their live performance of "We Can Be Together." ... Read Full Description >

    In January 1969, Jefferson Airplane was experiencing a pivotal moment in their career, highlighted by their live performance of "We Can Be Together." This was shortly after the release of their groundbreaking album "Crown of Creation," which came out in late 1968 and showcased their transition towards more complex lyrical themes and experimental sound. During this period, the band was at the forefront of the countercultural movement, and their music became anthems for the youth advocating for peace and love amid the societal upheaval of the time, notably epitomized by the rallying cry of "Make Love – Not War.” This live recording captures the essence of their influence within the San Francisco psychedelic scene and reflects the band's commitment to their ideals—making it a significant snapshot of both their artistic trajectory and the broader cultural landscape of the late 1960s.


Jefferson Airplane - Performance of '3/5 Of a Mile in 10 Seconds' at Woodstock

Woodstock
Bethel, NY, United States

March 5, 1969 | Video Length: 5:40
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Jefferson Airplane Live at Woodstock - Performance of 'White Rabbit'

Woodstock Music & Art Fair
Bethel, NY, United States

August 15, 1969 | Video Length: 2:31
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  • In August 1969, Jefferson Airplane performed at the Woodstock Music & Art Fair, a pivotal moment in both the festival's history and the band's career.... Read Full Description >

    In August 1969, Jefferson Airplane performed at the Woodstock Music & Art Fair, a pivotal moment in both the festival's history and the band's career. At this time, the group had just released their influential album "Volunteers" in November 1969, which featured a blend of counterculture themes and social commentary reflective of the era. Prior to this, their earlier album "Surrealistic Pillow," released in 1967, had propelled them to fame with hits like "Somebody to Love" and "White Rabbit," the latter of which they performed live at Woodstock. This performance solidified their status as leading figures in the psychedelic rock movement. Notably, "White Rabbit" was inspired by the hallucinogenic experiences of the 1960s and became an anthem of the counterculture, making their live rendition at Woodstock particularly significant in the cultural zeitgeist of the time.

Live Performance of 'Volunteers' by Jefferson Airplane at Woodstock Festival

Woodstock Music & Art Fair
Bethel, NY, United States

August 15, 1969 | Video Length: 2:59
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  • In August 1969, Jefferson Airplane was at a pivotal point in their career when they performed "Volunteers" at the Woodstock Music & Art Fair, a landma... Read Full Description >

    In August 1969, Jefferson Airplane was at a pivotal point in their career when they performed "Volunteers" at the Woodstock Music & Art Fair, a landmark event in music history. Prior to this performance, the band had released their critically acclaimed album "Volunteers" in November 1969, which was notable for its political themes resonating with the counterculture movement of the time. By performing at Woodstock, Jefferson Airplane not only solidified their status within the psychedelic rock scene but also became icons of the anti-establishment sentiment prevalent in that era. The performance showcased their energetic style and commitment to social issues, with "Volunteers" embodying the spirit of protest and unity that defined the festival's atmosphere. Their appearance at Woodstock helped to elevate their profile and further cement their legacy in rock music.

Live Performance of 'Somebody To Love' by Jefferson Airplane at Woodstock

Woodstock Music & Art Fair
Bethel, NY, United States

August 15, 1969 | Video Length: 4:22
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  • In August 1969, Jefferson Airplane delivered a captivating performance of "Somebody To Love" at the Woodstock Music & Art Fair, a pivotal moment in th... Read Full Description >

    In August 1969, Jefferson Airplane delivered a captivating performance of "Somebody To Love" at the Woodstock Music & Art Fair, a pivotal moment in the counterculture movement of the era. At this point in their career, the band was riding high on the success of their groundbreaking album "Surrealistic Pillow," released in 1967, which featured hit singles like "Somebody To Love" and "White Rabbit." This live recording showcases the band's role as one of the leading figures in the psychedelic rock genre, reflecting the vibrant social and political climate of the time. Notably, the Woodstock performance solidified their reputation as a defining voice of a generation, embodying the spirit of peace and love that the festival represented. Additionally, they were one of the few major acts to perform at Woodstock, highlighting their prominence during the late 1960s.

Jefferson Airplane - Live At Woodstock 1969 (Full Concert)

Woodstock Festival
Bethel, NY, United States

August 16, 1969 | Video Length: 1:44:11
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  • In August 1969, Jefferson Airplane performed at the Woodstock Festival, a pivotal event in the counterculture movement. At this time, the band was rid... Read Full Description >

    In August 1969, Jefferson Airplane performed at the Woodstock Festival, a pivotal event in the counterculture movement. At this time, the band was riding high on the success of their album "Surrealistic Pillow," released in 1967, which had solidified their place in rock history with hits like "Somebody to Love" and "White Rabbit." By the time of their Woodstock performance, they were on the verge of releasing their follow-up album, "Volunteers," which was notable for its political themes and reflections of the era's social upheaval. The concert is especially memorable as it showcased their dynamic presence and the collective spirit of the festival itself. Jefferson Airplane was one of the first major acts at Woodstock, marking a significant moment in their trajectory and contributing to the legendary status of the event. Their performance remains a touchstone for the ideals and energy of the 1960s music scene.

Jefferson Airplane Live at Woodstock: 'Won't You Try' Performance

Woodstock
Bethel, NY, United States

August 16, 1969 | Video Length: 4:40
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  • In August 1969, during the iconic Woodstock festival, Jefferson Airplane delivered a powerful live performance that highlighted their place in the cou... Read Full Description >

    In August 1969, during the iconic Woodstock festival, Jefferson Airplane delivered a powerful live performance that highlighted their place in the counterculture movement of the late 1960s. Leading up to this moment, the band had released their third studio album, "After Bathing at Baxter's," in late 1967, which showcased their evolving sound and lyrical depth. By the time of their Woodstock appearance, they were riding the wave of success from their previous album, "Crown of Creation," released in 1968, which further solidified their status as pioneers of psychedelic rock. Their set included "Won't You Try / Saturday Afternoon," a track that resonated deeply with the festival’s spirit of community and social change. Notably, Jefferson Airplane was one of the first major rock bands to perform at Woodstock, which helped catapult them into the spotlight, solidifying their influence on both the music scene and the broader cultural landscape.

Jefferson Airplane - The Ballad of You & Me & Pooneil Live at Woodstock

Woodstock Festival
Bethel, NY, United States

August 17, 1969 | Video Length: 14:49
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  • By August 1969, when Jefferson Airplane performed "The Ballad of You & Me & Pooneil" at the Woodstock Festival, they were experiencing significant suc... Read Full Description >

    By August 1969, when Jefferson Airplane performed "The Ballad of You & Me & Pooneil" at the Woodstock Festival, they were experiencing significant success and acclaim, following the release of their iconic album *Surrealistic Pillow* in 1967. This album featured hit singles like "Somebody to Love" and "White Rabbit," which helped solidify their place in the psychedelic rock movement. Just prior to Woodstock, they had released *Volunteers* in 1969, which reflected the band's evolving political message and countercultural ethos. The performance at Woodstock not only marked a pinnacle of their live exposure but also demonstrated their commitment to the anti-establishment sentiments of the time, with the song embodying themes of unity and revolution. This event, along with their participation in the festival, further elevated their status as a leading force in the counterculture movement.

Jefferson Airplane - Wooden Ships Live at Woodstock Festival

Woodstock Festival
Bethel, NY, United States

August 17, 1969 | Video Length: 21:49
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  • In August 1969, Jefferson Airplane performed at the Woodstock Festival, a pivotal moment in their career captured in the live recording of "Wooden Shi... Read Full Description >

    In August 1969, Jefferson Airplane performed at the Woodstock Festival, a pivotal moment in their career captured in the live recording of "Wooden Ships." This performance followed the release of their influential album "Volunteers," which debuted in the fall of 1969. The band had been at the forefront of the psychedelic rock scene, with their previous album, "Crown of Creation," released in 1968, solidifying their status. The Woodstock performance showcased the band's unique blend of rock, folk, and countercultural messages, highlighted by the powerful vocals of Grace Slick and Marty Balin. Notably, the song "Wooden Ships," co-written by Kantner and Crosby, reflects themes of peace and hope, resonating deeply with the festival's ethos. Jefferson Airplane's appearance at Woodstock further cemented their legacy as music icons of the 1960s, reinforcing their commitment to social change through art.

Jefferson Airplane Live at Woodstock: 'Somebody to Love' & 'White Rabbit'

Woodstock
Bethel, NY, United States

August 17, 1969 | Video Length: 7:03
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  • In August 1969, during the iconic Woodstock Festival, Jefferson Airplane showcased their pivotal role in the counterculture movement, performing their... Read Full Description >

    In August 1969, during the iconic Woodstock Festival, Jefferson Airplane showcased their pivotal role in the counterculture movement, performing their classic hits "Somebody to Love" and "White Rabbit." Just prior to this live recording, the band had released the album "Volunteers" in 1969, which featured a more politically charged sound and resonated with the tumultuous socio-political climate of the era. This performance not only solidified their status as one of the leading bands of the 1960s but also highlighted the seamless blend of rock and psychedelic music that defined their style. A noteworthy aspect of their Woodstock set was Grace Slick's commanding stage presence; as the band's lead vocalist and songwriter, her contribution significantly shaped their sound. The recording also captured the essence of the festival, making it a lasting testament to the band's impact during one of music's most celebrated moments.

The Jefferson Airplane Performs 'We Can Be Together' and 'Volunteers' on The Dick Cavett Show

The Dick Cavett Show
New York, NY, United States

August 18, 1969 | Video Length: 9:33
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  • In August 1969, when Jefferson Airplane performed "We Can Be Together" and "Volunteers" on The Dick Cavett Show, the band was experiencing a significa... Read Full Description >

    In August 1969, when Jefferson Airplane performed "We Can Be Together" and "Volunteers" on The Dick Cavett Show, the band was experiencing a significant peak in their career. Just prior to this performance, they had released their groundbreaking album "Volunteers," which came out in late 1969. This album was notable for its politically charged lyrics and countercultural themes, aligning well with the social climate of the era. The performance on The Dick Cavett Show was particularly noteworthy as it took place immediately following their historic appearance at the Woodstock festival in the same month, marking a key moment in the band's evolution as a leading figure in the psychedelic rock movement. The live performance included other prominent musicians like Joni Mitchell and David Crosby, emphasizing their relevance in the music scene at the time.

Jefferson Airplane Live at Altamont 1969 - 'Gimme Shelter' Performance Analysis

Altamont Motor Speedway
San Francisco, California, United States

December 1, 1969 | Video Length: 6:51
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  • In December 1969, Jefferson Airplane performed at the infamous Altamont Free Concert, a historic moment in rock history that was marred by chaos and v... Read Full Description >

    In December 1969, Jefferson Airplane performed at the infamous Altamont Free Concert, a historic moment in rock history that was marred by chaos and violence, notably involving the Hells Angels as security. Leading up to this performance, the band released their celebrated album "Volunteers" in 1969, which reflected the era's counterculture and political sentiments. "Volunteers" featured the title track and notable songs such as "We Can Be Together," which emphasized themes of unity and rebellion. The Altamont concert, intended to be a free celebration of peace and music, ultimately highlighted the darker side of the 1960s counterculture movement. This performance is significant not just for its raw energy but also for its lasting impact on the music scene as it coincided with a turbulent transition for Jefferson Airplane, as they were moving away from the idealism of the 1960s toward a more complex musical and social landscape.

Jefferson Airplane: 'The Other Side Of This Life' Live at Altamont Speedway

Altamont Speedway
Livermore, CA, United States

December 6, 1969 | Video Length: 6:47
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  • In December 1969, Jefferson Airplane performed at the infamous Altamont Speedway festival, a significant event in music history marked by both legenda... Read Full Description >

    In December 1969, Jefferson Airplane performed at the infamous Altamont Speedway festival, a significant event in music history marked by both legendary performances and notorious violence. At this point in their career, the band had recently released their album "Volunteers," which came out just weeks before the concert, on November 1, 1969. "Volunteers" is often seen as a high point for the band, showcasing their political consciousness and fusion of rock melodies with countercultural themes. This performance was part of a tumultuous period that defined the end of the 1960s counterculture movement, reflecting both the idealism and the disillusionment of the era. Notably, this live recording captures not just the raw energy of the band but also the chaotic atmosphere surrounding the event, which would later be etched into rock history.

Jefferson Airplane Full Concert featuring Papa John Creach at Winterland

Winterland
San Francisco, CA, United States

January 1, 1970 | Video Length: 23:18
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  • In January 1970, when Jefferson Airplane performed at Winterland in San Francisco, the band was at a pivotal moment in their career. They had recently... Read Full Description >

    In January 1970, when Jefferson Airplane performed at Winterland in San Francisco, the band was at a pivotal moment in their career. They had recently released their landmark album "Volunteers" in November 1969, which showcased their commitment to social and political themes through music. The live recording captures the band's energy and experimental spirit, particularly with the inclusion of violinist Papa John Creach, who joined the band around this time, contributing to their evolving sound. This era exemplified Jefferson Airplane's engagement with the counterculture movement, and their performances were marked by a blend of rock, blues, and psychedelic influences that defined the San Francisco music scene. Notably, the band's presence at such iconic venues as Winterland highlighted their status as key figures in the 1960s rock explosion, leading to significant cultural impact in the following decade.

  • In January 1970, when Jefferson Airplane performed "Eskimo Blue Day," they were riding the wave of their significant success from the late 1960s. Just... Read Full Description >

    In January 1970, when Jefferson Airplane performed "Eskimo Blue Day," they were riding the wave of their significant success from the late 1960s. Just prior to this live recording, they had released their landmark album "Volunteers" in late 1969, which showcased their evolving sound and embrace of counterculture themes. Notably, "Eskimo Blue Day," featured on this album, reflects the band's exploration of themes of freedom and urgency during a tumultuous era. By this time, Jefferson Airplane was renowned as pioneers of the psychedelic rock genre, having achieved massive popularity through their earlier hits and performances at major music festivals such as Woodstock. The 1970 live performance captures the band at a pivotal moment, balancing their established success with a desire to push musical boundaries further into the 1970s.

Jefferson Airplane Performs 'We Can Be Together' Live in San Francisco

Pacific High Recording
San Francisco, CA, United States

January 1, 1970 | Video Length: 7:35
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  • In early 1970, Jefferson Airplane was at a pivotal point in their career, transitioning through a phase of musical evolution marked by changes in thei... Read Full Description >

    In early 1970, Jefferson Airplane was at a pivotal point in their career, transitioning through a phase of musical evolution marked by changes in their lineup and sound. The live performance captured in the recording of "We Can Be Together" features new drummer Joey Covington, who had recently joined the band, signaling a shift in their artistic direction. Prior to this performance, the band had released "Volunteer" in late 1969, which showcased their increasing experimentation with rock styles influenced by the counterculture movements of the time. The concert held at Pacific High Recording in San Francisco underscores the band’s integration of new soundscapes and rhythms, as they navigated the complexities of their musical identity shortly before the release of their upcoming album "Bark" later in 1971. This live performance can be seen as a testament to their commitment to innovation amidst significant lineup changes in a period of cultural upheaval.

Jefferson Airplane Live Performance of 'The Ballad of You and Me and Pooneil'

Family Dog
San Francisco, CA, United States

February 4, 1970 | Video Length: 8:32
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  • On February 4, 1970, Jefferson Airplane performed "The Ballad of You and Me and Pooneil" at the Family Dog in San Francisco, which was a significant p... Read Full Description >

    On February 4, 1970, Jefferson Airplane performed "The Ballad of You and Me and Pooneil" at the Family Dog in San Francisco, which was a significant period in their career. This live recording took place shortly after the release of their album "Volunteers" in late 1969, which showcased the band's shift toward more politically charged themes and psychedelic rock elements. Notably, "Volunteers" was a reflection of the counterculture movement, resonating with the social upheaval of the time. In the context of the 1970 live performance, the Airplane was still riding high from the success of their earlier hits, such as "Somebody to Love" and "White Rabbit," establishing them as pioneers in the San Francisco music scene. The Family Dog venue itself was emblematic of the vibrant culture, often hosting renowned acts, which placed Jefferson Airplane in a broader tapestry of artistic collaboration, as they shared the stage that night with iconic bands like Santana and the Grateful Dead.

Jefferson Airplane - Won't You Try/Saturday Afternoon Live at Radio City Music Hall

Radio City Music Hall
New York, NY, United States

August 29, 1989 | Video Length: 5:24
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  • On August 29, 1989, Jefferson Airplane performed at Radio City Music Hall in New York City, marking a notable moment for the band during a resurgence ... Read Full Description >

    On August 29, 1989, Jefferson Airplane performed at Radio City Music Hall in New York City, marking a notable moment for the band during a resurgence in their career. This live performance occurred around the time they released their album "Jefferson Airplane," which was a self-titled work that came out in 1989, showcasing a blend of old and new material. The show featured classic tracks such as "Won't You Try/Saturday Afternoon," highlighting the band's signature psychedelic rock sound. Interestingly, this concert served as a reunion of sorts, as it featured original members after a long hiatus, giving fans a nostalgic experience while exploring their newer musical direction. The performance at the iconic venue underscored their lasting influence and ability to connect with audiences, despite the changing musical landscape of the late 1980s.

Jefferson Airplane Live Performance of 'Volunteers' at the Rock and Roll Hall of Fame

Rock and Roll Hall Of Fame
Cleveland, OH, United States

January 1, 1996 | Video Length: 3:23
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  • By 1996, Jefferson Airplane had evolved significantly from their early days in the 1960s as pioneers of the psychedelic rock movement. The live record... Read Full Description >

    By 1996, Jefferson Airplane had evolved significantly from their early days in the 1960s as pioneers of the psychedelic rock movement. The live recording of "Volunteers" at the Rock and Roll Hall of Fame took place during a period when the band was participating in various reunions after their initial disbandment in 1972. This performance coincided with a resurgence in interest in their music, as well as the nostalgia surrounding the counterculture of the 1960s. Prior to this event, the band had released critically acclaimed albums like "Surrealistic Pillow" and "Volunteers," which featured some of their most iconic tracks. Interestingly, the band's music often served as a soundtrack to social change, with "Volunteers" being a particularly poignant anthem of activism and protest. The 1996 performance marked a reunion moment, celebrating their legacy and solidifying their influence in rock history.


  • Before the live recording titled "Mexico (Go Ride The Music)," Jefferson Airplane had recently released "A Night At the Family Dog," which showcased t... Read Full Description >

    Before the live recording titled "Mexico (Go Ride The Music)," Jefferson Airplane had recently released "A Night At the Family Dog," which showcased their soaring popularity and influence within the San Francisco psychedelic music scene. This live recording captures the essence of their performances during a time when they were solidifying their place in rock history, following the massive success of albums like "Surrealistic Pillow" and "After Bathing at Baxter's." Notably, during this period, the band was known for pushing musical boundaries, experimenting with complex harmonies and thought-provoking lyrics. The live setting of this recording reflects their dynamic stage presence and the collective spirit of the era’s counterculture. This performance further emphasizes their commitment to the psychedelic movement and their role in shaping the music landscape of the late 1960s.