Hawkwind

Hawkwind Live Performance of 'PSI Power' at the Gaumont Theatre, Ipswich

Gaumont Theatre
Ipswich, UK

• In April 1984, during the performance captured in the live recording "PSI Power" at the Gaumont Theatre in Ipswich, Hawkwind was experiencing a dynami... Read Full Description >

  In April 1984, during the performance captured in the live recording "PSI Power" at the Gaumont Theatre in Ipswich, Hawkwind was experiencing a dynamic phase in their career. They had recently released the album "Church of Hawkwind" in 1982, which was emblematic of their evolving sound and experimentation. This period was marked by significant lineup changes and a creative resurgence, with Nik Turner providing an eccentric presence as the frontman, reflecting the band's unique blend of space rock and performance art. The live show showcased their continuing influence in the genre, blending intricate musical compositions with theatrical visuals. Notably, "PSI Power" is one of their signature tracks from the album "Quark, Strangeness and Charm," further illustrating their longstanding commitment to exploring science fiction themes in their music.

Hawkwind Live Performance of 'Watching The Grass Grow' at Stonehenge Free Festival

Stonehenge Free Festival
Stonehenge, UK

• In June 1984, when Hawkwind performed live at the Stonehenge Free Festival, they were actively engaged in a dynamic phase of their career, marked by a... Read Full Description >

  In June 1984, when Hawkwind performed live at the Stonehenge Free Festival, they were actively engaged in a dynamic phase of their career, marked by a focus on their live performances and a shifting lineup. Just prior to this recording, the band had released the album "The Chronicle of the Black Sword" in 1985, which was conceptually inspired by the Michael Moorcock novels featuring the character Elric of Melnibone. However, by the time of the Stonehenge performance, they were riding the wave of their storied legacy and had been influential contributors to the space rock genre. The Stonehenge Free Festival itself had a significant cultural backdrop, observed as a communal celebration, aligning well with the band's ethos of embracing freedom and counterculture. Additionally, this was a notable era for Hawkwind, as they were known for their improvisational style and mesmerizing live shows, solidifying their reputation as pioneers of the genre. The 1984 performance is emblematic of their