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Elliott Smith

Live Performances by Elliott Smith in 2000

Elliott Smith - 'Pitseleh' Live Performance at Knitting Factory, NYC

Knitting Factory
New York, NY, United States

January 1, 2000 | Video Length: 4:29
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  • On January 1, 2000, Elliott Smith performed live at the Knitting Factory in New York City, shortly after ringing in the new year. At this point in his... Read Full Description >

    On January 1, 2000, Elliott Smith performed live at the Knitting Factory in New York City, shortly after ringing in the new year. At this point in his career, Smith had recently released his critically acclaimed album "XO" in 1998, which marked a significant step towards mainstream recognition and featured a more polished production compared to his earlier, more lo-fi work. The performance of "Pitseleh" at this New Year's show highlights his introspective songwriting style and emotional resonance, characteristics that endeared him to fans. Additionally, the Knitting Factory venue was known for showcasing alternative artists, which aligned well with Smith's evolving reputation as a prominent figure in the indie music scene. This live recording captures a transitional moment for Smith, as he was gaining traction in the music industry while maintaining his authentic, personal touch in live performances.

  • In January 2000, Elliott Smith was in a pivotal phase of his career, having released his critically acclaimed album "Figure 8" just months earlier, in... Read Full Description >

    In January 2000, Elliott Smith was in a pivotal phase of his career, having released his critically acclaimed album "Figure 8" just months earlier, in April 1998. This album showcased Smith's matured songwriting and intricate arrangements, solidifying his reputation in the indie rock scene. The live performance of "Everything Means Nothing to Me," featured in the Jon Brion Show, highlights his poignant lyricism and intimate delivery, which were hallmarks of his style. During this time, Smith was increasingly recognized for his contributions to the music world, blending elements of folk, rock, and pop. The collaboration with Jon Brion, a renowned producer and musician himself, also reflects Smith's artistic connections that were integral to his sound. This performance exemplifies the raw emotional depth that Smith brought to his live shows, a characteristic that resonated deeply with his audience and led to a devoted following.

Elliott Smith - Happiness Live Performance on the Jon Brion Show

Jon Brion Show

January 1, 2000 | Video Length: 3:49
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  • In January 2000, during the time of the live recording on the Jon Brion Show, Elliott Smith was riding the wave of critical acclaim following the rele... Read Full Description >

    In January 2000, during the time of the live recording on the Jon Brion Show, Elliott Smith was riding the wave of critical acclaim following the release of his album "Figure 8," which came out in April 2000. This album was significant as it showcased his move towards a more polished and expansive sound, a departure from the intimate, lo-fi aesthetic of his earlier works. The live performance reveals a captivating partnership with Jon Brion, who not only was a collaborator but also a key figure in Smith’s artistic growth during this period. Interestingly, "Figure 8" features themes of struggle and complexity, reflecting both Smith's personal battles and his evolving artistry, which is apparent in the depth of his live performance. This appearance undoubtedly solidified his status as an influential figure in the indie music scene at the turn of the millennium.

Elliott Smith Performs 'Waterloo Sunset' Live on the Jon Brion Show

Jon Brion Show

January 1, 2000 | Video Length: 3:48
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  • In the live recording from the Jon Brion Show on January 1, 2000, Elliott Smith was at a pivotal point in his career following the release of his accl... Read Full Description >

    In the live recording from the Jon Brion Show on January 1, 2000, Elliott Smith was at a pivotal point in his career following the release of his acclaimed album "XO" in 1998. This record marked a significant transition for Smith, showcasing a more polished sound and greater experimentation compared to his earlier work, which helped him gain broader recognition. During this time, he was also working on his next project, "Figure 8," which was released later in 2000 and further explored his lyrical depth and complex arrangements. Smith’s collaboration with Jon Brion, a talented producer and musician, played an important role in this phase; Brion's influence can be heard in Smith's evolving sound. The performance itself captures Smith's intimate style and emotional resonance, characteristics that became hallmarks of his music, making this recording a notable piece in his discography.

Elliott Smith - Bottle Up and Explode! Live on the Jon Brion Show

Jon Brion Show

January 1, 2000 | Video Length: 3:01
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  • In January 2000, Elliott Smith was preparing to release his fourth studio album, "Figure 8," which came out later that spring. The live performance of... Read Full Description >

    In January 2000, Elliott Smith was preparing to release his fourth studio album, "Figure 8," which came out later that spring. The live performance of "Bottle Up and Explode!" during the Jon Brion Show showcases Smith's evolving sound as he transitioned into a more elaborate production style compared to his earlier, more minimalistic work. This period marked a significant moment in his career, as his musical complexity began to gain wider recognition, partly due to his increasing popularity following the critical success of his previous album, "Either/Or." Notably, this performance reflects the collaboration between Smith and producer Jon Brion, who played a key role in shaping the sound of "Figure 8." The song itself carries themes common in Smith's work, exploring emotional depth and introspection, which further endeared him to his growing fanbase.

  • In January 2000, during the live recording of Elliott Smith performing "Jealous Guy" on the Jon Brion Show, he was experiencing a significant moment i... Read Full Description >

    In January 2000, during the live recording of Elliott Smith performing "Jealous Guy" on the Jon Brion Show, he was experiencing a significant moment in his career. This performance came shortly after the release of his critically acclaimed album "Figure 8," which had debuted in April 2000. The album showcased Smith's intricate songwriting and broader production elements, thanks in part to his collaboration with producer Jon Brion, who often accompanied him in live settings. This performance highlights the intimate yet complex nature of his music, as it beautifully captures the raw emotion and vulnerability Smith was known for. Interestingly, "Jealous Guy" is a cover of John Lennon’s classic, illustrating Smith's deep appreciation for influential artists and his ability to reinterpret their music through his unique lens.

Elliott Smith Full Concert Live at Town Hall, NY - February 2000

Town Hall
New York, NY, United States

February 22, 2000 | Video Length: 1:18
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  • In February 2000, Elliott Smith was in the midst of his rise to greater recognition, following the release of his critically acclaimed album "Figure 8... Read Full Description >

    In February 2000, Elliott Smith was in the midst of his rise to greater recognition, following the release of his critically acclaimed album "Figure 8" in April 2000. This live recording at Town Hall showcases songs from his earlier works, such as "Either/Or" and “XO,” indicating the enduring popularity of these earlier albums. Notably, songs like "Son of Sam" and "Needle in the Hay" highlight Smith’s lyrical depth and emotional vulnerability, traits that have defined his songwriting. Despite struggling with personal issues, including substance abuse, Smith's performance reflects both his artistic growth and the burgeoning interest in his music during this period. This concert not only exemplifies his intimate, engaging live style but also captures a pivotal moment just before he achieved wider commercial success, influencing a generation of singer-songwriters.

Elliott Smith - Live Performance of 'Son Of Sam' on US Talk Show

United States

April 21, 2000 | Video Length: 4:04
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  • On April 21, 2000, Elliott Smith performed "Son of Sam" during a live recording that captures a notable moment in his career, occurring shortly after ... Read Full Description >

    On April 21, 2000, Elliott Smith performed "Son of Sam" during a live recording that captures a notable moment in his career, occurring shortly after the release of his album "Figure 8." Released in 2000, "Figure 8" was the fifth and final studio album of Smith's solo career, showcasing his signature sound filled with introspective lyrics and complex melodies. This period marked a significant transition for Smith as he navigated the complexities of fame following his previous albums that garnered critical acclaim, such as "Either/Or" and "XO." The performance is particularly poignant, as it reflects both his lyrical depth and the struggles he faced with addiction and mental health. This concert occurred during a time when Smith was gaining more mainstream recognition, yet also confronting personal challenges, making it a significant snapshot in his artistic journey.

Elliott Smith Live @ Empire State Plaza - Full Concert Featuring Multiple Songs

Empire State Plaza
Albany, NY, United States

July 21, 2000 | Video Length: 1:19:24
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  • On July 21, 2000, Elliott Smith performed at the Empire State Plaza in Albany, New York, during a pivotal moment in his career. At this time, he had j... Read Full Description >

    On July 21, 2000, Elliott Smith performed at the Empire State Plaza in Albany, New York, during a pivotal moment in his career. At this time, he had just released his album "Figure 8" in April 2000, which marked his transition toward a more polished sound and broader critical recognition. This album included standout tracks like "Son of Sam" and "Happiness," showcasing Smith's intricate songwriting and emotional depth. By this period, Smith had gained a devoted following and his music was beginning to receive substantial airplay, particularly following his Oscar nomination for "Miss Misery" from the "Good Will Hunting" soundtrack in 1998. The live recording from Albany captures Smith during a vibrant time, just as he was solidifying his place in the alternative music scene, revealing the raw intensity and vulnerability that made his performances memorable.

Elliott Smith: Full Concert at Fuji Rock - Ballad of Big Nothing and More

Naeba Ski Resort
Niigata, Niigata, Japan

July 28, 2000 | Video Length: 59:07
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  • On July 28, 2000, Elliott Smith performed at the Fuji Rock Festival in Japan, a pivotal moment in his career during which he was riding the wave of ac... Read Full Description >

    On July 28, 2000, Elliott Smith performed at the Fuji Rock Festival in Japan, a pivotal moment in his career during which he was riding the wave of acclaim following his album "Figure 8," released just a few months prior in April 2000. This album marked a transitional phase for Smith, showcasing his growing success and a more polished sound compared to his earlier works. Interestingly, "Figure 8" was significant as it was his first release under DreamWorks Records, allowing him to reach a wider audience. This live recording captures the raw emotion and intimate connection he shared with his audience, a hallmark of his performances. At this time, Smith was increasingly recognized for his songwriting prowess, and the festival appearance further solidified his reputation as a poignant and influential musician in the indie rock scene.

Elliott Smith - Needle in the Hay Live Performance at Bumbershoot

Bumbershoot
Seattle, WA, United States

September 2, 2000 | Video Length: 4:56
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  • In September 2000, Elliott Smith performed "Needle in the Hay" live at the Bumbershoot festival in Seattle, a significant moment shortly after the rel... Read Full Description >

    In September 2000, Elliott Smith performed "Needle in the Hay" live at the Bumbershoot festival in Seattle, a significant moment shortly after the release of his self-titled album, "Elliott Smith," which came out in 1995 and contributed to his growing popularity. This performance occurred in the aftermath of his critically acclaimed album "Figure 8," released earlier that year, which showcased his distinctive blend of folk and alternative rock while exploring themes of personal struggle and introspection. Live shows during this period often featured raw renditions of his songs, reflecting his emotional depth and connection with audiences. Additionally, Smith's presence at Bumbershoot—a prominent festival—solidified his status as an influential artist within the indie music scene of the time, paving the way for later recognition and critical acclaim. Smith's vulnerable performance of "Needle in the Hay" has since become iconic, capturing the essence of his artistry and the intensity of

Elliott Smith - Live at Bumbershoot Festival: Full Concert

Bumbershoot Festival
Seattle, WA, United States

September 4, 2000 | Video Length: 1:9:08
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  • In September 2000, Elliott Smith performed at the Bumbershoot Festival in Seattle, shortly after the release of his acclaimed album "Figure 8," which ... Read Full Description >

    In September 2000, Elliott Smith performed at the Bumbershoot Festival in Seattle, shortly after the release of his acclaimed album "Figure 8," which came out in April of the same year. This period marked a pivotal moment in Smith's career as "Figure 8" showcased his signature blend of introspective lyrics and intricate melodies, further solidifying his status in the indie rock scene. During the live recording, Smith's performance reflects his growth as an artist, exhibiting both vulnerability and a captivating stage presence. Interestingly, this festival appearance occurred at a time when he was shifting from indie success to a more mainstream recognition, driven by growing label support and the critical acclaim that followed his previous albums. Smith's authenticity and emotional depth during live performances resonated with fans, establishing a connection that remained a hallmark of his artistry.