Elliott Smith

Elliott Smith - Live Performance of 'Clementine' and Interview (1995)

• In January 1995, when Elliott Smith performed "Clementine" live on the show *Breakfast Time*, he was at a pivotal moment in his career. This performan... Read Full Description >

  In January 1995, when Elliott Smith performed "Clementine" live on the show *Breakfast Time*, he was at a pivotal moment in his career. This performance came shortly after the release of his self-titled album, *Elliott Smith*, which was his first release under the DreamWorks label. The album, released in 1994, showcased Smith's unique blend of folk and indie rock, laying the groundwork for his subsequent success in the music scene. During this period, he was gaining critical recognition, particularly for his poignant songwriting and melodic prowess. Notably, the song "Clementine" exemplifies Smith's signature introspective style. This live performance not only highlights his raw talent but also marks a significant point in his trajectory, as it coincides with the growing popularity that would soon lead to broader acclaim after his subsequent albums, including *Either/Or* in 1997.

Elliott Smith Full Concert at Stinkweed's featuring 'Coming Up Roses' and more

Stinkweed's
Phoenix, AZ, United States

• In May 1997, Elliott Smith was in the midst of his burgeoning solo career, having recently released his acclaimed self-titled album, "Elliott Smith," ... Read Full Description >

  In May 1997, Elliott Smith was in the midst of his burgeoning solo career, having recently released his acclaimed self-titled album, "Elliott Smith," in the fall of 1995. This live performance at Stinkweed's showcases his intimate and introspective songwriting style, which resonated deeply with audiences at the time. The setlist includes a blend of original tracks and covers, highlighting not only his own compositions like "Needle In The Hay" and "Angeles" but also acknowledging influences from artists like Big Star and The Kinks. This period marked a significant moment for Smith as he transitioned from his earlier work with Heatmiser to gaining more critical recognition as a solo artist. The performance captures a raw, emotional quality that would become emblematic of his music, illustrating how he connected with fans through his vulnerability and melodic craftsmanship.

Elliott Smith - Say Yes Live Performance at Aquarius Records

Aquarius Records
California, United States

• In May 1997, Elliott Smith was in the midst of a pivotal moment in his career, having released his self-titled album just a year earlier. This album m... Read Full Description >

  In May 1997, Elliott Smith was in the midst of a pivotal moment in his career, having released his self-titled album just a year earlier. This album marked a significant step as it was his first with a major label following the success of his earlier works. The performance at Aquarius Records showcases Smith's intimate style and his ability to connect with the audience through his poignant songwriting. Notably, "Say Yes," a song featured in the performance, reflects Smith's lyrical depth and vulnerability, themes prevalent throughout his music. This recording captures an important period as he was gaining recognition in the indie music scene, right before he would go on to release his critically acclaimed album "Either/Or" in 1997, which further solidified his artistic reputation. The intimacy of the venue and the rawness of the live performance resonate with the emotional weight of his songs, highlighting Smith's talent as a storyteller.

Elliott Smith - Say Yes Live Performance at Yoyo A Go Go

Yoyo A Go Go
Olympia, WA, United States

• In August 1997, Elliott Smith was on the cusp of gaining wider recognition in the indie rock scene, having just released his self-titled album "Elliot... Read Full Description >

  In August 1997, Elliott Smith was on the cusp of gaining wider recognition in the indie rock scene, having just released his self-titled album "Elliott Smith" earlier that year. This album marked a significant moment in his career as it was his first solo effort after his work with the band Heatmiser. The live recording of "Say Yes" from the Yoyo A Go Go festival captures Smith during a pivotal period as he was beginning to build a devoted fanbase and receiving critical acclaim for his introspective songwriting and unique sound. Notably, "Say Yes" has become one of his beloved tracks, showcasing his knack for blending melancholy themes with melodic hooks. This performance exemplifies his raw emotional delivery and the intimate atmosphere of his early shows, which resonated strongly with audiences and laid the groundwork for his later successes in the music industry.

Elliott Smith - Miss Misery Live Performance on Late Night with Conan O'Brien

Late Night With Conan O'Brien
New York, NY, United States

• On March 4, 1998, Elliott Smith performed "Miss Misery" on "Late Night With Conan O'Brien," showcasing his burgeoning impact on the music scene. At th... Read Full Description >

  On March 4, 1998, Elliott Smith performed "Miss Misery" on "Late Night With Conan O'Brien," showcasing his burgeoning impact on the music scene. At this time, Smith had released his critically acclaimed album "Either/Or" just a year prior, in 1997, which significantly raised his profile; the album features some of his most notable tracks, including "Say Yes" and "Between the Bars." This live performance also coincided with the release of the soundtrack for the film "Good Will Hunting," where "Miss Misery" was featured, leading to a surge in Smith's popularity. The exposure from the show and the soundtrack helped solidify his status as a significant alternative artist in the late '90s. Interestingly, Smith's raw and emotional performance style during this era resonated with audiences, marking a pivotal moment in his career as he began to reach a wider audience and gain recognition for his poignant songwriting.

Elliott Smith Performs 'Miss Misery' at the Academy Awards

Academy Awards
Los Angeles, CA, United States

• In March 1998, Elliott Smith performed "Miss Misery" at the Academy Awards, an event that marked a significant moment in his career. This performance ... Read Full Description >

  In March 1998, Elliott Smith performed "Miss Misery" at the Academy Awards, an event that marked a significant moment in his career. This performance came shortly after the release of his acclaimed album "Either/Or," which had debuted in 1997 and showcased his distinctive blend of introspective lyrics and melodic craftsmanship. "Miss Misery" was notably nominated for an Academy Award for Best Original Song, a rare honor for an artist in the indie music scene at the time. This live appearance also greatly increased his visibility to a broader audience, exposing his unique sound to mainstream listeners. Interestingly, Smith's performance at the Oscars highlighted his struggle with fame and the pressures of the music industry, themes often reflected in his work, making the performance not only a career milestone but also a poignant moment that encapsulated his artistic journey.

Elliott Smith Live at Reading Festival - Full Concert Performance

Reading Festival
Reading, United Kingdom

• In August 1998, when Elliott Smith performed at the Reading Festival, he was riding the wave of newfound recognition after the release of his critical... Read Full Description >

  In August 1998, when Elliott Smith performed at the Reading Festival, he was riding the wave of newfound recognition after the release of his critically acclaimed album "XO," which had come out earlier that year. This marked a pivotal moment in his career, transitioning from an underground artist to a more mainstream figure. The live set included standout tracks from "XO," such as “Waltz #2 (XO)” and “Independence Day,” showcasing his poignant songwriting and distinct vocal style. Additionally, this concert occurred during a time when Smith was increasingly gaining attention for his unique blend of introspective lyrics and melodic hooks, often addressing themes of love, loss, and personal struggles. Notably, his performance style was characterized by an intimate atmosphere, even at larger venues like Reading, which resonated deeply with his audience.

Elliott Smith - Live Performance of 'Waltz #2' on 2 Meter Sessions

2 Meter Sessions
Netherlands

• On November 29, 1998, Elliott Smith performed “Waltz #2” during a live session for the Dutch music program "2 Meter Sessies." This performance occ... Read Full Description >

  On November 29, 1998, Elliott Smith performed “Waltz #2” during a live session for the Dutch music program "2 Meter Sessies." This performance occurred shortly after the release of his critically acclaimed album, "Either/Or," which was released in 1997. "Either/Or" marked a significant moment in Smith’s career, as it helped to elevate his status within the indie music scene and introduced his introspective songwriting style to a wider audience. The song “Waltz #2” is particularly notable for its intricate melody and poignant lyrics, encapsulating themes of love and longing that are prevalent in Smith's work. By the time of this live session, Smith was gaining popularity and recognition, as his music resonated with an audience drawn to its emotional depth and vulnerability. This performance exemplifies his ability to connect with listeners, showcasing his talent in a live setting that highlighted his minimalistic arrangements and heartfelt delivery.

Elliott Smith - 'I Didn't Understand' Live at 2 Meter Sessions

2 Meter Sessions
Heemskerk, NH, Netherlands

• In November 1998, when Elliott Smith performed live at the "2 Meter Sessies" in the Netherlands, he was riding the wave of critical acclaim following ... Read Full Description >

  In November 1998, when Elliott Smith performed live at the "2 Meter Sessies" in the Netherlands, he was riding the wave of critical acclaim following the release of his album "XO." Released earlier that year, "XO" marked a significant point in Smith's career, showcasing his growing presence in the indie music scene. This album featured some of his most recognized songs and represented a shift towards a more polished sound, buoyed by a production team that included the influential Rob Schnapf. Interestingly, Smith's performance of "I Didn't Understand" during this session is emblematic of his introspective songwriting style, often reflecting themes of love and disillusionment. This live recording captures a moment when Smith was gaining traction, bridging the gap between indie acclaim and broader recognition as an artist capable of heartfelt and complex narratives through his music.

Elliott Smith Performs 'Miss Misery' at 2 Meter Sessions in Utrecht

2 Meter Sessions
Utrecht, Utrecht, Netherlands

• In November 1998, during the recording session for the "2 Meter Sessies," Elliott Smith had recently released his critically acclaimed album, "Either/... Read Full Description >

  In November 1998, during the recording session for the "2 Meter Sessies," Elliott Smith had recently released his critically acclaimed album, "Either/Or," which came out in 1997. This album solidified his reputation as a standout figure in the indie music scene, featuring poignant songwriting and intimate arrangements. The live performance of "Miss Misery," a song that later appeared on the soundtrack of the film "Good Will Hunting," showcases Smith's signature style and lyrical depth, highlighting his ability to convey emotional complexity. By this time, Smith was gaining significant recognition, which would only grow after the release of "Good Will Hunting" in 1997, leading to wider exposure for his music. This session at the "2 Meter Sessies" exemplifies Smith's raw talent in a live setting, capturing the essence of his artistry just as he was on the brink of mainstream success.

Elliott Smith - Waltz #2 Live Performance on Later... with Jools Holland

Later... with Jools Holland
London, United Kingdom

• In December 1998, when Elliott Smith performed "Waltz #2" on *Later... with Jools Holland*, he was at a pivotal moment in his career, having recently ... Read Full Description >

  In December 1998, when Elliott Smith performed "Waltz #2" on *Later... with Jools Holland*, he was at a pivotal moment in his career, having recently released his highly acclaimed album, *Either/Or*, earlier that year. This album marked a significant breakthrough for Smith, showcasing his introspective songwriting and unique sound. His appearance on Jools Holland's show introduced him to a wider audience in the UK, aligning with his growing reputation as a promising artist within the indie music scene. Notably, *Either/Or* features some of his most beloved tracks and is often credited with influencing a generation of singer-songwriters. This performance exemplified his intimate style, capturing the raw emotion of his live shows, which resonated deeply with fans and critics alike. Smith’s vulnerability in his music, highlighted during this performance, has become a defining characteristic of his artistic identity.

Elliott Smith - Full Concert at Annandale Hotel featuring Christian Brothers and more

Annandale Hotel
Sydney, Australia

• On January 9, 1999, Elliott Smith performed a live show at the Annandale Hotel in Sydney, Australia. At this point in his career, Smith had recently r... Read Full Description >

  On January 9, 1999, Elliott Smith performed a live show at the Annandale Hotel in Sydney, Australia. At this point in his career, Smith had recently released his critically acclaimed album "XO" in 1998, which demonstrated a significant step forward in his musical evolution from the lo-fi sound of his earlier works to a more polished production. "XO" marked his first release under a major label, DreamWorks, indicating his growing prominence in the indie music scene. The setlist from the Annandale Hotel performance includes fan favorites like "Baby Britain" and "Waltz #2," showcasing the breadth of his songwriting and emotional depth. During this era, Smith was celebrated for his introspective lyrics and haunting melodies, making live recordings from this period particularly cherished by fans. His unique ability to convey vulnerability in his performances is evident in this concert, further solidifying his status as a distinctive voice in alternative music.

Elliott Smith – Full Concert at Amoeba Records featuring 'Tomorrow' and more

Amoeba Records
Los Angeles, CA, USA

• On March 2, 1999, Elliott Smith performed at Amoeba Records in Los Angeles, during a pivotal moment in his career following the release of his third s... Read Full Description >

  On March 2, 1999, Elliott Smith performed at Amoeba Records in Los Angeles, during a pivotal moment in his career following the release of his third studio album, "XO," which came out in 1998. This live recording showcases Smith's intimate performance style and the emotional depth of his songwriting, with songs like "Waltz #2" and "Angeles" that highlight his unique blend of melody and introspection. By this time, Smith had gained significant recognition following the success of his previous albums and exposure from the film "Good Will Hunting," where his song "Miss Misery" received an Oscar nomination. Notably, the 1999 performance captures Smith's raw vulnerability and connection with his audience, just as he was poised to embark on further artistic exploration with his subsequent album, "Figure 8," released in 2000. This period marks a fascinating intersection between his emerging fame and the poignant, personal nature of his music.

Elliott Smith: Full Concert Live at the Yo Yo a Go Go Festival

Yo Yo a Go Go Festival
Olympia, WA, United States

• In August 1999, Elliott Smith was on the rise following the release of his critically acclaimed self-titled album, which came out earlier that same ye... Read Full Description >

  In August 1999, Elliott Smith was on the rise following the release of his critically acclaimed self-titled album, which came out earlier that same year. This period marked a significant moment in his career, as his music began to garner broader recognition, especially after the Oscar nomination for "Miss Misery" from the film "Good Will Hunting." Performing at the Yo Yo a Go Go Festival, Smith showcased his intimate and poignant songwriting style, which resonated deeply with audiences. His live performances during this time captured the raw emotion and vulnerability that characterized his work, further solidifying his reputation as a compelling live artist. Notably, this festival appearance highlights the grassroots momentum he was building in the indie music scene, just before he transitioned to broader mainstream success.

Elliott Smith - Jealous Guy (Lennon Cover) Live Performance on Jon Brion Show

Jon Brion Show

• In January 2000, during the live recording of Elliott Smith performing "Jealous Guy" on the Jon Brion Show, he was experiencing a significant moment i... Read Full Description >

  In January 2000, during the live recording of Elliott Smith performing "Jealous Guy" on the Jon Brion Show, he was experiencing a significant moment in his career. This performance came shortly after the release of his critically acclaimed album "Figure 8," which had debuted in April 2000. The album showcased Smith's intricate songwriting and broader production elements, thanks in part to his collaboration with producer Jon Brion, who often accompanied him in live settings. This performance highlights the intimate yet complex nature of his music, as it beautifully captures the raw emotion and vulnerability Smith was known for. Interestingly, "Jealous Guy" is a cover of John Lennon’s classic, illustrating Smith's deep appreciation for influential artists and his ability to reinterpret their music through his unique lens.

Elliott Smith - 'Pitseleh' Live Performance at Knitting Factory, NYC

Knitting Factory
New York, NY, United States

• On January 1, 2000, Elliott Smith performed live at the Knitting Factory in New York City, shortly after ringing in the new year. At this point in his... Read Full Description >

  On January 1, 2000, Elliott Smith performed live at the Knitting Factory in New York City, shortly after ringing in the new year. At this point in his career, Smith had recently released his critically acclaimed album "XO" in 1998, which marked a significant step towards mainstream recognition and featured a more polished production compared to his earlier, more lo-fi work. The performance of "Pitseleh" at this New Year's show highlights his introspective songwriting style and emotional resonance, characteristics that endeared him to fans. Additionally, the Knitting Factory venue was known for showcasing alternative artists, which aligned well with Smith's evolving reputation as a prominent figure in the indie music scene. This live recording captures a transitional moment for Smith, as he was gaining traction in the music industry while maintaining his authentic, personal touch in live performances.

Elliott Smith - Bottle Up and Explode! Live on the Jon Brion Show

Jon Brion Show

• In January 2000, Elliott Smith was preparing to release his fourth studio album, "Figure 8," which came out later that spring. The live performance of... Read Full Description >

  In January 2000, Elliott Smith was preparing to release his fourth studio album, "Figure 8," which came out later that spring. The live performance of "Bottle Up and Explode!" during the Jon Brion Show showcases Smith's evolving sound as he transitioned into a more elaborate production style compared to his earlier, more minimalistic work. This period marked a significant moment in his career, as his musical complexity began to gain wider recognition, partly due to his increasing popularity following the critical success of his previous album, "Either/Or." Notably, this performance reflects the collaboration between Smith and producer Jon Brion, who played a key role in shaping the sound of "Figure 8." The song itself carries themes common in Smith's work, exploring emotional depth and introspection, which further endeared him to his growing fanbase.

Elliott Smith - 'Everything Means Nothing to Me' Live on the Jon Brion Show

• In January 2000, Elliott Smith was in a pivotal phase of his career, having released his critically acclaimed album "Figure 8" just months earlier, in... Read Full Description >

  In January 2000, Elliott Smith was in a pivotal phase of his career, having released his critically acclaimed album "Figure 8" just months earlier, in April 1998. This album showcased Smith's matured songwriting and intricate arrangements, solidifying his reputation in the indie rock scene. The live performance of "Everything Means Nothing to Me," featured in the Jon Brion Show, highlights his poignant lyricism and intimate delivery, which were hallmarks of his style. During this time, Smith was increasingly recognized for his contributions to the music world, blending elements of folk, rock, and pop. The collaboration with Jon Brion, a renowned producer and musician himself, also reflects Smith's artistic connections that were integral to his sound. This performance exemplifies the raw emotional depth that Smith brought to his live shows, a characteristic that resonated deeply with his audience and led to a devoted following.

Elliott Smith - Happiness Live Performance on the Jon Brion Show

Jon Brion Show

• In January 2000, during the time of the live recording on the Jon Brion Show, Elliott Smith was riding the wave of critical acclaim following the rele... Read Full Description >

  In January 2000, during the time of the live recording on the Jon Brion Show, Elliott Smith was riding the wave of critical acclaim following the release of his album "Figure 8," which came out in April 2000. This album was significant as it showcased his move towards a more polished and expansive sound, a departure from the intimate, lo-fi aesthetic of his earlier works. The live performance reveals a captivating partnership with Jon Brion, who not only was a collaborator but also a key figure in Smith’s artistic growth during this period. Interestingly, "Figure 8" features themes of struggle and complexity, reflecting both Smith's personal battles and his evolving artistry, which is apparent in the depth of his live performance. This appearance undoubtedly solidified his status as an influential figure in the indie music scene at the turn of the millennium.

Elliott Smith Performs 'Waterloo Sunset' Live on the Jon Brion Show

Jon Brion Show

• In the live recording from the Jon Brion Show on January 1, 2000, Elliott Smith was at a pivotal point in his career following the release of his accl... Read Full Description >

  In the live recording from the Jon Brion Show on January 1, 2000, Elliott Smith was at a pivotal point in his career following the release of his acclaimed album "XO" in 1998. This record marked a significant transition for Smith, showcasing a more polished sound and greater experimentation compared to his earlier work, which helped him gain broader recognition. During this time, he was also working on his next project, "Figure 8," which was released later in 2000 and further explored his lyrical depth and complex arrangements. Smith’s collaboration with Jon Brion, a talented producer and musician, played an important role in this phase; Brion's influence can be heard in Smith's evolving sound. The performance itself captures Smith's intimate style and emotional resonance, characteristics that became hallmarks of his music, making this recording a notable piece in his discography.

Elliott Smith Full Concert Live at Town Hall, NY - February 2000

Town Hall
New York, NY, United States

• In February 2000, Elliott Smith was in the midst of his rise to greater recognition, following the release of his critically acclaimed album "Figure 8... Read Full Description >

  In February 2000, Elliott Smith was in the midst of his rise to greater recognition, following the release of his critically acclaimed album "Figure 8" in April 2000. This live recording at Town Hall showcases songs from his earlier works, such as "Either/Or" and “XO,” indicating the enduring popularity of these earlier albums. Notably, songs like "Son of Sam" and "Needle in the Hay" highlight Smith’s lyrical depth and emotional vulnerability, traits that have defined his songwriting. Despite struggling with personal issues, including substance abuse, Smith's performance reflects both his artistic growth and the burgeoning interest in his music during this period. This concert not only exemplifies his intimate, engaging live style but also captures a pivotal moment just before he achieved wider commercial success, influencing a generation of singer-songwriters.

Elliott Smith - Live Performance of 'Son Of Sam' on US Talk Show

United States

• On April 21, 2000, Elliott Smith performed "Son of Sam" during a live recording that captures a notable moment in his career, occurring shortly after ... Read Full Description >

  On April 21, 2000, Elliott Smith performed "Son of Sam" during a live recording that captures a notable moment in his career, occurring shortly after the release of his album "Figure 8." Released in 2000, "Figure 8" was the fifth and final studio album of Smith's solo career, showcasing his signature sound filled with introspective lyrics and complex melodies. This period marked a significant transition for Smith as he navigated the complexities of fame following his previous albums that garnered critical acclaim, such as "Either/Or" and "XO." The performance is particularly poignant, as it reflects both his lyrical depth and the struggles he faced with addiction and mental health. This concert occurred during a time when Smith was gaining more mainstream recognition, yet also confronting personal challenges, making it a significant snapshot in his artistic journey.

Elliott Smith Live @ Empire State Plaza - Full Concert Featuring Multiple Songs

Empire State Plaza
Albany, NY, United States

• On July 21, 2000, Elliott Smith performed at the Empire State Plaza in Albany, New York, during a pivotal moment in his career. At this time, he had j... Read Full Description >

  On July 21, 2000, Elliott Smith performed at the Empire State Plaza in Albany, New York, during a pivotal moment in his career. At this time, he had just released his album "Figure 8" in April 2000, which marked his transition toward a more polished sound and broader critical recognition. This album included standout tracks like "Son of Sam" and "Happiness," showcasing Smith's intricate songwriting and emotional depth. By this period, Smith had gained a devoted following and his music was beginning to receive substantial airplay, particularly following his Oscar nomination for "Miss Misery" from the "Good Will Hunting" soundtrack in 1998. The live recording from Albany captures Smith during a vibrant time, just as he was solidifying his place in the alternative music scene, revealing the raw intensity and vulnerability that made his performances memorable.

Elliott Smith: Full Concert at Fuji Rock - Ballad of Big Nothing and More

Naeba Ski Resort
Niigata, Niigata, Japan

• On July 28, 2000, Elliott Smith performed at the Fuji Rock Festival in Japan, a pivotal moment in his career during which he was riding the wave of ac... Read Full Description >

  On July 28, 2000, Elliott Smith performed at the Fuji Rock Festival in Japan, a pivotal moment in his career during which he was riding the wave of acclaim following his album "Figure 8," released just a few months prior in April 2000. This album marked a transitional phase for Smith, showcasing his growing success and a more polished sound compared to his earlier works. Interestingly, "Figure 8" was significant as it was his first release under DreamWorks Records, allowing him to reach a wider audience. This live recording captures the raw emotion and intimate connection he shared with his audience, a hallmark of his performances. At this time, Smith was increasingly recognized for his songwriting prowess, and the festival appearance further solidified his reputation as a poignant and influential musician in the indie rock scene.

Elliott Smith - Needle in the Hay Live Performance at Bumbershoot

Bumbershoot
Seattle, WA, United States

• In September 2000, Elliott Smith performed "Needle in the Hay" live at the Bumbershoot festival in Seattle, a significant moment shortly after the rel... Read Full Description >

  In September 2000, Elliott Smith performed "Needle in the Hay" live at the Bumbershoot festival in Seattle, a significant moment shortly after the release of his self-titled album, "Elliott Smith," which came out in 1995 and contributed to his growing popularity. This performance occurred in the aftermath of his critically acclaimed album "Figure 8," released earlier that year, which showcased his distinctive blend of folk and alternative rock while exploring themes of personal struggle and introspection. Live shows during this period often featured raw renditions of his songs, reflecting his emotional depth and connection with audiences. Additionally, Smith's presence at Bumbershoot—a prominent festival—solidified his status as an influential artist within the indie music scene of the time, paving the way for later recognition and critical acclaim. Smith's vulnerable performance of "Needle in the Hay" has since become iconic, capturing the essence of his artistry and the intensity of

Elliott Smith - Live at Bumbershoot Festival: Full Concert

Bumbershoot Festival
Seattle, WA, United States

• In September 2000, Elliott Smith performed at the Bumbershoot Festival in Seattle, shortly after the release of his acclaimed album "Figure 8," which ... Read Full Description >

  In September 2000, Elliott Smith performed at the Bumbershoot Festival in Seattle, shortly after the release of his acclaimed album "Figure 8," which came out in April of the same year. This period marked a pivotal moment in Smith's career as "Figure 8" showcased his signature blend of introspective lyrics and intricate melodies, further solidifying his status in the indie rock scene. During the live recording, Smith's performance reflects his growth as an artist, exhibiting both vulnerability and a captivating stage presence. Interestingly, this festival appearance occurred at a time when he was shifting from indie success to a more mainstream recognition, driven by growing label support and the critical acclaim that followed his previous albums. Smith's authenticity and emotional depth during live performances resonated with fans, establishing a connection that remained a hallmark of his artistry.

Elliott Smith - Live at the Henry Fonda Theatre 2003 [HD Remaster]

Henry Fonda Theatre
Los Angeles, CA, United States

• In early 2003, during the live recording at the Henry Fonda Theatre, Elliott Smith was experiencing a pivotal moment in his career following the relea... Read Full Description >

  In early 2003, during the live recording at the Henry Fonda Theatre, Elliott Smith was experiencing a pivotal moment in his career following the release of his self-titled album in 2000. This album marked a departure toward a more polished sound, contrasting with his earlier, more lo-fi recordings. By January 2003, he was performing songs that showcased his evolution as an artist, including "King's Crossing," which reflects his introspective lyricism and complex emotions. Notably, this concert comes shortly after Smith's critically acclaimed album, "Figure 8," which was released in 2000 and highlighted his growing prominence in the indie music scene. The live recording captures Smith's intimate stage presence and serves as a reminder of his struggles with fame and mental health during this period, which would eventually influence his later work and legacy.

Elliott Smith - Full Concert at Steamboat with 'Say Yes' and 'Blackbird'

Steamboat
Austin, TX, United States

• In May 2003, Elliott Smith was at a pivotal point in his career, having recently released his critically acclaimed album, *Figure 8*, in 2000. This al... Read Full Description >

  In May 2003, Elliott Smith was at a pivotal point in his career, having recently released his critically acclaimed album, *Figure 8*, in 2000. This album showcased a more polished sound compared to his earlier work, reflecting his growth as an artist. The live recording from Steamboat caught Smith performing with a mix of vulnerability and confidence, characteristic of his performances during this era. Notably, by this time, he had gained substantial recognition, having been nominated for an Academy Award for his song "Miss Misery" from *Good Will Hunting* in 1998. The Austin show featured a raw rendition of his intimate songs, illustrating his mastery of blending personal storytelling with melodic craftsmanship. The absence of the full performance recording of "Say Yes" and "Blackbird" adds intrigue, highlighting the ephemeral nature of live music and Smith's connection with his audience during that period.

Elliott Smith Live Performance of 'Miss Misery' at the Oscars

• Elliott Smith performed "Miss Misery" live at the Oscars in 1998, a pivotal moment in his career that showcased his transition from an indie artist to... Read Full Description >

  Elliott Smith performed "Miss Misery" live at the Oscars in 1998, a pivotal moment in his career that showcased his transition from an indie artist to a more widely recognized figure in the music industry. This performance came shortly after the release of his critically acclaimed album, "Either/Or," which was released in 1997. "Either/Or" is often regarded as a defining work for Smith, blending introspective lyrics with his signature acoustic sound. The nomination for "Miss Misery," which was written for the film "Good Will Hunting," marked a significant achievement, highlighting his impact on both the indie music scene and mainstream cinema. Interestingly, this performance represented not just a moment of personal triumph for Smith but also illustrated the blending of his artistic voice with broader cultural narratives, bridging the gap between underground music and the Hollywood spotlight.

Elliott Smith Live Performance of 'Angeles' from 1999 Concert

Los Angeles, CA, United States

• In 1999, when Elliott Smith performed the live rendition of "Angeles" captured in the video, he had just released his acclaimed album "Figure 8." This... Read Full Description >

  In 1999, when Elliott Smith performed the live rendition of "Angeles" captured in the video, he had just released his acclaimed album "Figure 8." This album, released in April 2000, marked a notable progression in Smith's career, showcasing his evolution as a songwriter and his increased complexity in production. Prior to "Figure 8," he gained significant recognition with "Either/Or," which had solidified his status as a pivotal figure in the indie rock scene. The live performance in Los Angeles captures Smith in a raw and introspective state, indicative of his artistic vulnerabilities and emotional depth. Additionally, the reference to Smith's occasional performance slip-ups highlights his relatable persona, making him endearing to fans who appreciated both his musical talent and his human imperfections. This concert was part of a moment in his career where his critical acclaim was beginning to translate into broader recognition, adding to the poignancy of his performances.