Live Performances by Bright Eyes
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Live Performance of Bright Eyes at The Tabernacle, Atlanta
The Tabernacle
Atlanta, GA, United States
Bright Eyes & Hurray for the Riff Raff - Lua Live at The Tabernacle, Atlanta
The Tabernacle
Atlanta, GA, United States
Bright Eyes - Live Performance of 'Poison Oak' at The Caverns, Pelham, TN
The Caverns
Pelham, TN, United States
Bright Eyes - At the Bottom of Everything Live at The Caverns, Pelham, TN
The Caverns
Pelham, TN, United States
Bright Eyes Live Performance of 'El Capitan' at 40 Watt Club, Athens
40 Watt Club
Athens, GA, United States
Bright Eyes Live Performance of 'First Day of My Life' at Minglewood Hall, Memphis
Minglewood Hall
Memphis, TN, US
Bright Eyes Live Performance of 'Tin Soldier Boy' at The Pageant, St. Louis
The Pageant
St. Louis, MO, United States
Bright Eyes Live Performance of 'Method Acting' at Palace Theatre, St. Paul
Palace Theatre
St. Paul, MN, United States
Bright Eyes Live Performance of 'Let’s Not Shit Ourselves' at The Salt Shed, Chicago
The Salt Shed
Chicago, IL, United States
Live Performance of 'At the Bottom of Everything' by Bright Eyes at The Salt Shed
The Salt Shed
Chicago, IL, United States
Bright Eyes Live Performance of 'I Won’t Ever Be Happy Again' at The Intersection, Grand Rapids
The Intersection
Grand Rapids, MI, United States
Bright Eyes - Full Concert Live at Agora Theatre featuring multiple songs
Agora Theatre
Cleveland, OH, United States
Live Performance of 'At the Bottom of Everything' by Bright Eyes at Agora Ballroom
Agora Ballroom
Cleveland, OH, United States
Bright Eyes Live at Brooklyn Paramount - 'Nothing Gets Crossed Out' Featuring Tim Kasher
Brooklyn Paramount
Brooklyn, NY, US
Conor Oberst Live at Knitting Factory: Bright Eyes - Lua
Knitting Factory
Spokane, Washington, United States
Bright Eyes performs 'First Day of My Life' at Hardly Bluegrass Festival
Hardly Bluegrass Festival
Bright Eyes - First Day Of My Life Live at Northside Fest in McCarren Park
McCarren Park
Brooklyn, NY, United States
Lions Head - First Day Of My Life (Bright Eyes Cover) Live at Radio Hamburg
Radio Hamburg Live Lounge
Germany
Conor Oberst and Phoebe Bridgers Perform 'Lua' Live at Center for the Arts
Center for the Arts
Bright Eyes: 'Bowl of Oranges' Live at Lupos Heartbreak Hotel
Lupos Heartbreak Hotel
Providence, RI, United States
Bright Eyes Performs 'Dance and Sing' on The Late Show with Stephen Colbert
The Late Show with Stephen Colbert
New York, NY, United States
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Bright Eyes, the project led by Conor Oberst, was in a pivotal phase of their career during the live recording of "Waste of Paint" at Austin City Limi... Read Full Description >
Bright Eyes, the project led by Conor Oberst, was in a pivotal phase of their career during the live recording of "Waste of Paint" at Austin City Limits (ACL). This performance was part of their promotion for the critically acclaimed album "Lifted or The Story Is in the Soil, Keep Your Ear to the Ground," released in 2002, which marked a significant moment in Oberst's rise within the indie rock scene. The album is notable for its lyrical depth and rich instrumentation, showcasing the band's evolution toward a more polished sound. By the time of the ACL performance, Bright Eyes had garnered a dedicated following and was recognized for blending folk, rock, and emo influences. The live rendition of "Waste of Paint" encapsulates the emotive storytelling that became a hallmark of their music, highlighting Oberst's introspective songwriting alongside the band's intricate arrangements. This period solidified Bright Eyes as a vital force in the early 2000s indie music landscape.
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In the live performance of "At the Bottom of Everything," Bright Eyes was in a pivotal moment of its career, showcasing the introspective and innovati... Read Full Description >
In the live performance of "At the Bottom of Everything," Bright Eyes was in a pivotal moment of its career, showcasing the introspective and innovative style that defined the band's early 2000s output. This song is featured on the album "I'm Wide Awake, It's Morning," released in January 2005. This album marked a significant point in Conor Oberst’s career, elevating Bright Eyes to a wider audience and solidifying their place within the indie rock scene. Notably, the performance on "The Kilborn File" exemplified Oberst's poignant lyricism and his unique vocal delivery, which resonated with many fans. The album itself was released alongside "Digital Ash in a Digital Urn," highlighting Oberst's prolific nature as he produced two contrasting works simultaneously. The appearance on television also contributed to increasing the band’s visibility, showcasing their potential as significant figures in the music landscape during that era.
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Bright Eyes, the project led by Conor Oberst, saw significant evolution throughout its career, particularly around the time of the live recording refe... Read Full Description >
Bright Eyes, the project led by Conor Oberst, saw significant evolution throughout its career, particularly around the time of the live recording referenced. In 2004, they released the critically acclaimed album "Digital Ash in a Digital Urn," showcasing a more electronic sound than previous works. This period marked a transition for the band, as they began experimenting with diverse musical styles and production techniques. Notably, during this phase, Oberst was gaining recognition for his poignant lyrics and distinctive vocal delivery, which contributed to the artist's identity. The live performance captures a moment when Bright Eyes was solidifying its place in the indie rock landscape, navigating both fame and artistic exploration, and highlighting Oberst's ability to connect deeply with audiences. The band's intricate and personal storytelling, combined with rich musical arrangements, played a pivotal role in their growing fanbase during this period.
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Bright Eyes, led by Conor Oberst, performed a live set for KEXP as part of their "KEXP at Home" series, showcasing their distinctive blend of indie ro... Read Full Description >
Bright Eyes, led by Conor Oberst, performed a live set for KEXP as part of their "KEXP at Home" series, showcasing their distinctive blend of indie rock and folk. This performance took place in the context of their 2020 album "Down in the Weeds, Where the World Once Was," which marked their first studio release in nearly a decade. Prior to this album, Bright Eyes had largely been dormant since "The People's Key" in 2011, leading fans to celebrate the return of this beloved band. The live performance included tracks like "Cleanse Song" and "Mariana Trench," both of which reflect the introspective and emotive qualities that define Oberst's songwriting. The recording also underscores the band’s evolution, as Oberst has continued to experiment with sound and depth in his music, making this live set a crucial moment capturing their renewed creative output.
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Before the live recording at NPR's Tiny Desk, Bright Eyes frontman Conor Oberst had released the album "Upside Down Mountain" in 2014. This album mark... Read Full Description >
Before the live recording at NPR's Tiny Desk, Bright Eyes frontman Conor Oberst had released the album "Upside Down Mountain" in 2014. This album marked a significant point in his career as it was his first solo record in nearly a decade after the band's hiatus and followed the 2011 Bright Eyes album, "The People’s Key." "Upside Down Mountain" received positive reviews and showcased Oberst's growth as a songwriter, integrating a more mature sound. The Tiny Desk Concert highlighted Oberst's solo work while retaining the intimate and introspective essence that characterized Bright Eyes. Notably, the performance captured Oberst's signature lyrical depth and vulnerability, reinforcing his impact on indie music. The setting also exemplified the close-knit connection he shares with his audience, a hallmark of his artistic legacy.
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Before the live recording of "We Are Nowhere and It's Now," Bright Eyes had released their acclaimed album "Lifted or The Story Is in the Soil, Keep Y... Read Full Description >
Before the live recording of "We Are Nowhere and It's Now," Bright Eyes had released their acclaimed album "Lifted or The Story Is in the Soil, Keep Your Ear to the Ground" in 2002. This album marked a significant point in the band's career, showcasing their blend of introspective lyrics and indie rock sound, helping to elevate their profile within the music scene. The live performance would have taken place during the height of their popularity, as they were known for their emotive and dynamic live shows. Notably, the band's frontman, Conor Oberst, was recognized for his confessional songwriting style, which resonated deeply with fans. The song itself encapsulates themes of alienation and longing, reflecting the depth of Oberst's lyricism that characterized much of Bright Eyes' work during this period.
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Bright Eyes, the project led by Conor Oberst, experienced significant evolution in their musical style and public acclaim during the early 2000s. The ... Read Full Description >
Bright Eyes, the project led by Conor Oberst, experienced significant evolution in their musical style and public acclaim during the early 2000s. The live recording referenced, featuring "Bright Eyes," likely took place around the time of the release of their album "Lifted or The Story Is in the Soil, Keep Your Ear to the Ground," which was released in 2002. This album marked a pivotal moment in Oberst's career, showcasing his narrative songwriting and emotional depth, and helped establish Bright Eyes as a key figure in the indie rock scene. By the time of the Wacken performance, Bright Eyes had cultivated a dedicated fan base and a reputation for their compelling live shows. Interestingly, the festival setting of Wacken, known primarily for heavy metal, highlights the band's eclectic appeal and willingness to embrace diverse audiences.
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In the notable live performance of "Four Winds" on The Tonight Show with Jay Leno, Bright Eyes was at a significant juncture in their career. This per... Read Full Description >
In the notable live performance of "Four Winds" on The Tonight Show with Jay Leno, Bright Eyes was at a significant juncture in their career. This performance took place in 2007, shortly after the release of their album "Cassadaga," which came out in April of that year. "Cassadaga" marked a pivotal moment for Bright Eyes, showcasing a mature sound that combined folk-rock elements with thoughtful lyricism. The album was well-received, debuting at number four on the Billboard 200, establishing the band's prominence in the indie music scene. During this period, Bright Eyes, fronted by Conor Oberst, was known for its intimate and introspective songwriting, and the live performance captured the essence of Oberst's emotive delivery. This appearance on national television helped elevate their visibility, introducing their music to a wider audience.
Bright Eyes Performs 'Old Soul Song' at Iroquois Amphitheater, Louisville
Iroquois Amphitheater
Louisville, KY, United States
Live Performance of 'Four Winds' by Bright Eyes in Sioux Falls, SD
Ramkota Exhibit Hall
Sioux Falls, SD, United States
Bright Eyes Performance by Paul Clark at Wartburg College - Knightliters
Wartburg College - Knightliters
Bright Eyes Performance at Acceleratorfestivalen in Stockholm
Acceleratorfestivalen
Stockholm, Sweden
Bright Eyes Performance at Hard Rock Live, Orlando, FL - Concert Clip
hard rock live
Orlando, Florida, United States
Bright Eyes - Method Acting (Live at Pabst Theater, Milwaukee)
Pabst Theater
Milwaukee, WI, United States
Vonnegut Performs 'Bright Eyes' Live at Darkroom, Chicago
Darkroom
Chicago, IL, United States
Blind Guardian - Bright Eyes Live Performance in London (49 seconds)
London, United Kingdom
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Bright Eyes Performs 'Ladder Song' Live at Mann Music Centre, Philadelphia
Mann Music Centre
Philadelphia, PA, United States
Bright Eyes - First Day of My Life Live Performance at Pappy and Harriet's
Pappy and Harriet's
Pioneertown, CA, United States
Bright Eyes Live Performance of 'Something Vague' at House of Blues Boston
House of Blues
Boston, MA, United States
Bright Eyes: Reinvent The Wheel Live Performance at Bowery Ballroom
Bowery Ballroom
New York City, NY, United States
Bright Eyes - 'Waste of Paint' Live Performance from Seattle Concert
Seattle, WA, United States
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Bright Eyes Live Performance of New Song at Memorial Park, Omaha
Memorial Park
Omaha, NE, United States
Bright Eyes Live Performance of 'Train Under Water' from Omaha Concert
Omaha, NE, United States
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Bright Eyes - First Day of My Life (Live Performance in Washington, DC)
Washington, DC, United States
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Popular Tracks
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Conor Oberst — Live at House of Blues (Full Set)
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